Ranges Ascensionist Tour Update 1: Minot, Minneapolis, Chicago

Ranges Subterranean Chicago - Jared and Mark
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Ranges playing Minot, ND - CJ and Joey
Tour day 1 – Saturday 30 September 2017
Playing at 62 Doors, Minot, North Dakota
w/ Home Invasion, Icarus the Owl, Breakup Haircuts

6am

Damn it’s early.

Is it even legal to be awake at this hour? I mean, I’ve been awake earlier than this in the past – you know, before I was unemployed and homeless – but … time zones? I don’t know, I’m just tired.

Joey’s bought coffees for all the guys. All six of us are loaded into the van and CJ is driving. Driving east seems like a poor decision currently, seeing as we are driving directly into the blinding sunlight. Even with sunglasses and squinty eyes it’s hard to tolerate.

The guys are all having a laugh, sharing stories about previous tours they’d all been on with other bands. It sounds like I’m in for an interesting next few weeks.

Ranges playing Minot, ND - Jared

8am

The van has a built-in DVD player. Joey has a massive collection of dubious looking horror films that he want’s us to get through by the end of tour. I can’t tell if he wants to get scared or appreciates how funny poor quality horrors films are.

We christen the DVD player with the obvious choice – This Is Spinal Tap. I’d forgotten how funny it is. Hopefully it doesn’t foreshadow anything that will happen to us on tour. Although… as much as I like Mark, how cool would it be to see a drummer spontaneously combust!?

Ranges playing Minot, ND - Jared and CJ

7pm

That was one of the longest drives of my life. It took roughly 12 hours to drive from Bozeman to Minot. One of the guys mentioned that we’ve moved into a different time zone. This whole time travel business confuses me.

We load the gear downstairs into the venue. 62 Rooms is a shared studio / art gallery deal. I enjoy looking at the range of artwork hung up throughout the building.

Ranges playing Minot, ND - Jared

8PM

I don’t know what to make of Home Invasion. They’re a two piece. I guess it’s hardcore? They both have cheap, nondescript face masks and felt wide-brimmed hats on. The drummer takes turns between drumming and screaming into the mic out front, while the guitarist builds layers with a looping pedal and sometimes sings as well. It’s loud and violent and the drummer keeps turning the sole light on and off with his left foot, which is disorienting.

Ranges play next. It’s actually the first time I’ve seen them play. Their whole rig is all connected so that the lighting rig syncs with the music. It works well – ambient music coupled with stark lighting.

Ranges playing Minot, ND - Mark

Icarus The Owl play mathy pop-punk. It’s busy music. The drummer has great chops and I like the three-way vocal harmonies, although the lead singer is very high-pitched and I tire of his voice quickly.

Ranges playing Minot, ND - Joey

Breakup Haircuts round off the night with some great hardcore styled music. I enjoy what they do, but miss some of the set because I’m helping the band load gear into the van.

11pm

We eat at an Irish pub called Ebeneezer’s just down the road. My meal came on one of the largest plates I’ve seen in my life and the band couldn’t get enough of my excited reaction. After the meal we drive on for roughly an hour, stopping to sleep overnight in a town called Rugby.

Ranges playing Minot, ND - CJ and Joey
Tour day 2 – Sunday 1 October
Triple Rock Social Club, Minneapolis, Minnesota
w/ Drumbeat Red, Lions & Creators

10am

Joey’s pretty excited about the venue we’re headed to. Triple Rock is co-owned by Erik Funk from the punk band Dillinger Four. Now that he mentions it, I recognise the name from a NOFX song. The drive isn’t nearly so long today, and everyone is in a good mood. The guys speak fondly of Minneapolis – they have friends in town and all have a story or two from last time they were there.

Ranges tour - Jared

11am

A storm hits and one of the windscreen wipers gets caught by the wind and flicks off the windshield. Thankfully CJ is able to find a space to pull over and was able to sort it out. I don’t know what we would do otherwise because most mechanics would be closed on Sundays, and it wouldn’t be safe to continue in the heavy rain.

Ranges tour - Wilson and Mark

5pm

We arrive in Minneapolis early in the evening, with plenty of time to kill before the show. One point of interest is a vending machine stocking guitar strings, capos, picks and drumsticks. It strikes me as a good idea. The venue has a cool aesthetic, with gig posters and band stickers on most walls.

Food seems like a very attractive option after the long van ride, so once you’ve unloaded the gear from the van we head next door to the restaurant area of Triple Rock. The jukebox is playing loud punk music, which prompts Mark to tell me about his musical background. He grew up in New York in and around the hardcore scene. I mention that I saw Gorilla Biscuits play in Auckland a few years ago, which sends Mark down a rabbit hole, mentioning all his friends who played in associated bands. He also knows Vernon Reid from Living Colour, and can’t believe that I interviewed Will Calhoun from the same band earlier in the year. I can only imagine how awesome it was playing shows at legendary places like CBGB’s when he lived in New York. I’m looking forward to the Brooklyn and New Jersey legs of the tour because we will get to meet Mark’s old friends.

8.30pm

Lions & Creators are amazing! Just three guys on stage throwing themselves around wildly. They find a balance between control and chaos and I love it. They also talk about murder sneezes, which is something that more people need to know about.

Ranges play better tonight. Being on a stage and have a black background helps to add gravitas to the set, and the band sounded more confident because they could hear themselves better in the mix (compared to last night). My friend Will watches the set with me and he mentions how impressed he is with the overall setup. He has a point. The band play well and the music from the new album sounds good. But that they’ve managed to build a stage set with a synchronised light show in the icing on the cake.

I miss the last act because I was catching up with Will. The guys in Ranges tell me that I really missed out.

Ranges playing Minot, ND

12am

Jared’s best friend Mike lives in Minneapolis so we’re all staying at his place. Most of us stay up well into the night, talking nonsense and watching music videos. At one point Mike’s wife brings out a box of nerf guns. I’m not sure what I expected from tour, but this isn’t how I imagined it. It sure is fun though.

Tour Day 3 – Monday 2 October
Subterranean, Chicago, Illinois
Outrun The Sunlight, Atonement Theory

Chicago is one of the few cities on tour that I’ve already been to. I stayed with Matt from Aviation and the War in August. I rate Chicago as having had the best food in my American travels to date. All the guys say that they’re looking forward to some deep dish pizza.

Ranges Subterranean Chicago - CJ and Joey

Joey gets into weird spaces that he calls “second wind”, usually as we enter cities. He puts on a hick accent and starts talking about diesel engines. I’m starting to get used to it, but I doubt that I’ll ever become immune to his silly sense of humour.

Ranges Subterranean Chicago - CJ and Joey

Arriving in Chicago is different from the other cities. We hit traffic and have to pay to drive on toll roads – something that isn’t found too often near Montana. The city feels vibrant as we enter, full of all walks of life. There are hundreds of cyclists, and apparently they all have a death wish because they keep cutting CJ off as he drives. Finding a park for a van and trailer is quite the ordeal, but after circling the block a few times we find a space near the venue.

Subterranean is a cool venue. Space is tight so we play a game of tetris with drums, guitars, amps and lights to try to squeeze the gear out-of-the-way.

Ranges Subterranean ChicagoAfter packing the gear in, I walked to a nearby taco restaurant just around the corner. Turns out my grasp of the Spanish language isn’t as good as I’d thought it was, because the simple act of ordering two tacos proves extremely difficult. At the taco place I meet David, one of Mark’s old friends who lives in Michigan, and drove a few hours to make the gig. He’s a friendly guy and we chat over our meal.

Turns out the meal took so long to order, cook and eat that I ended up missing the first act! I’m told that Atonement Theory were great so I was sorry to miss them.

Setting up proved tricky with such limited space, so we opted not to use a few of the lights. Jared’s pedal board was also bugging out, so he chose to bypass a few pedals.

Tonight’s set was great. The mix sounded good and I caught the guys flashing grins at each other throughout.

Outrun the Sunlight closed the night with their technical post-metal. It was a wonder to see them pull off intricate melodies that switched time signatures. I stood side of stage watching the drummer make magic happen.

Outrun the Sunlight at Subterranean Chicago

Outrun the Sunlight at Subterranean Chicago

After packing up the venue we went round the corner to Dino’s Pizza. It was a shame to leave Chicago immediately after, but the city had a reputation, meaning the band were anxious about parking the van somewhere with a likelihood of being broken into with their instruments inside.

Ranges TourAll words and photos by Joseph James

Photo Gallery: A Celebration of Chuck Berry, Lincoln Center, NYC

Gallery

 A Celebration of Chuck Berry

w/ Low Cut Connie, Chuck Berry tribute band & The Jayhawks

The Lincoln Center, New York

Saturday 12 August 2017

It was my first ever time visiting New York. The sheer scale of the place is nothing like I’ve encountered, being from the tiny nation of New Zealand. On the bus ride in I decided to do an internet search to see if any gigs were on tonight. Surely there has to be something happening in the city that never sleeps?

I began to scroll through the search results, when something caught my eye: a free gig featuring Vernon Reid. Wait… The Vernon Reid? From Living Colour?

I saw Living Colour play in Auckland this year and the talent was unreal. And the very same guitarist was putting on a free show? Count me in!

The show was a free event at the Lincoln Center, one of the last of a series that had occurred over the summer. There were three acts all working together to pay tribute to the late, great, Chuck Berry.

Low Cut Connie

First act – Philadelphia based Low Cut Connie – were fantastic. They excelled due to the energy they put into their performance. I arrived ten minutes late (turns out that the New York subway is far trickier to navigate than the Boston subway that I had ridden yesterday), to see singer standing atop a piano stool theatrically while singing. A few songs in he ventured out into the crowd to sing as he ran up and down the aisles.

Low Cut Connie Low Cut Connie Low Cut Connie

Chuck Berry tribute band

Vernon Reid had pieced together a great band to play Chuck Berry covers. The stage was incredibly crowded, with a grand piano, three piece brass section, bass, at least three guitarists, and a revolving roster of singers and extra guitarists all playing their part throughout the night.

Of course, the talent Reid had handpicked for the event were all fantastic. It was clear that they were all having fun onstage, dancing around as the played the hits of such a legendary artist. Living Colour singer Corey Glover even made an appearance, pretending to bicker with Reid between songs to provide funny banter.

The band ended with the obligatory “Johnny B Goode”, before a naughty encore of “Ding A Ling”.

Chuck Berry Tribute Band Chuck Berry Tribute Band

Chuck Berry Tribute Band

Chuck Berry Tribute Band

Chuck Berry Tribute Band

Chuck Berry Tribute Band

Chuck Berry Tribute Band

Chuck Berry Tribute Band

The Jayhawks

By the time The Jayhawks arrived onstage it was dark, making the stage lights stand out and set the mood. Compared to the first two bands, The Jayhawks were more relaxed, with a sound that reminded me of Calexico.

The Jayhawks The JayhawksThe Jayhawks The Jayhawks

All words and photos by Joseph James

Live Review and Gallery: Living Colour at the Auckland Powerstation

Living Colour Powerstation Auckland
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Living Colour 30th Anniversary Tour

w/ Heavy Metal Ninjas

Powerstation, Auckland

Thursday 11 May 2017

 Living Colour Powerstation Auckland

Money or music?

I faced a difficult decision a few years ago

I was a year into my university studies and hadn’t been able to find much work over the Summer break. I was in the process of opening up a student account at the bank for when I’d need the interest-free overdraft for the upcoming year. I had to take 11 weeks off work that year to do the teacher placements as part of my studies and I couldn’t see any way that I could afford to do that.

So of course AJ Maddah announced the lineup for that years Soundwave festival.

It wasn’t the big names that drew me in. Sure, I’d like to see them, but I didn’t see them as major drawcards. It was some of the lesser known bands that I reeeallly wanted to see. You know, the bands written in tiny writing at the bottom of the poster that you have to squint to read. Like my favourite band: Scottish trio Biffy Clyro. Or Arizona act Jimmy Eat World. Or funk rock titans Living Colour.

There was no way I could afford to attend Soundwave, but there were a few sideshows that could have been viable options.I had friends I could stay with in Melbourne. Biffy Clyro played at The Corner Hotel, where I’d seen hardcore legends Terror play a few years beforehand. Living Colour were to open for Alter Bridge at The Forum. Dipping into the $1000 course related costs I was entitled to became veeeeery tempting.

Financial reason won in the end. Sad face emoji. No trip to Melbourne, no seeing awesome bands.

Buuuuut, I have been fortunate enough to see those three bands since. All at the Auckland Powerstation. And tonight, Living Colour proved that they were worth the wait.


Heavy Metal Ninjas opening for Living Colour

Heavy Metal Ninjas

Local quartet Heavy Metal Ninjas came onstage dressed very much like Kora, which isn’t too surprising seeing as the two bands share members. As well as rocking the samurai garb, the two guitarists and bass player all had half face masks that gave off a Kylo Ren vibe. Maybe the drummer didn’t get the memo regarding dress code, choosing to opt for a bogan Jesus look instead.

Their music was sharp technical metal, full of double kick drums, guitar noodling and djenty riffs. They took Steve Vai worship to the next level. I counted 22 strings between the three masked men. As for the drums… well you can never really have enough cymbals can you?

The hard-hitting sci-fi take on instrumental metal delivered blow after pummeling blow, strengthened by the regular inclusion of strong sub bass that made me want to vomit. I’ll give them points for making an impact, and the crowd lapped it up.

Living Colour Powerstation Auckland

Living Colour

Living Colour last visited our shores in 1993. A few people in the audience were rocking t shirts from that tour tonight. I, however, was merely an infant at the time, being born in 1992.

Not that this made a difference. Being one of the younger people in attendance made me feel as if I was in on a special secret.

The band weren’t scared to add a handful of covers to their set; they both opened and closed with a cover, as well as interspersing them throughout the night. Their influences range far and wide: Robert Johnson, Notorious BIG, Junior Murvin, Elvis, The Clash. Both familiar yet new, the songs all worked seamlessly into the set.

Living Colour are well seasoned pros. Their abilities are phenomenal. I don’t say this lightly. They. Can. Play.

Living Colour Powerstation Auckland

The way Corey Glover sung, you wouldn’t know that he has worked those vocal cords hard for over 30 years. Not only is his singing great, but he has such range. He can bark during the thrash numbers. He can scream – you know, rock star style – like in “Hey Jude”. He has speed. I swear that even though I was watching his lips move, my brain couldn’t keep up with how fast he was spitting out words in some songs. And of course, he can do sexy soulful. He wore a paint splattered denim suit with gingham shirt, tie and a feathered hat.

Doug Wimbish was the centre of attention, playing up for the cameras. He may be the newbie in the band, but you’d never pick it. His bass solo was one of the highlights of the night. He played a tune – great in its own right. Then using a looping pedal, he added upon the tune, jamming with himself. His joy was openly visible as he expanded the sound during his solo. He employed various pedals to change his tone – deep, rich bass, higher guitar tones, alien sounds. And if the music wasn’t enough, he started playing with his mouth too. It was a wonder to listen to as he masterfully played his instrument.

Living Colour Powerstation Auckland

Drummer Will Calhoun was just as mesmerising. His two kick drums sported Australian art. The first with a picture of Ayers Rock and a kangaroo, and the second depicting the Aboriginal flag (which looked like a pokéball when cropped into a circle). Situated around him were his many signature drums, cymbals, electronic pads and a large corrugated Hammerax sheet cymbal.

The way he approaches his playing is so outside-the-square that I doubt I’ll ever see another drum solo quite like his. First of all, he’s lightning fast. Living Colour have their thrash metal moments, but I didn’t realise how frenetic a lot of the rest of their works are. And then there’s his experimental side. He discussed it with me when I interviewed him a few weeks back. He takes electric drums and messes with the sound just as a guitarist uses pedals and effects to affect their tone. And on top of all this talent and creativity, he is highly educated in the ways of drumming from cultures worldwide. For me, his drum solo was worth the price of admission alone.

Living Colour Powerstation AucklandWhich leaves Vernon on guitar. The unsung hero. He played the joker, cracking funnies to wind up Corey. He bore the blame when the band made a few mistakes. He referred to himself as the nerd in a band of sexy people. But he is the man responsible for forming Living Colour. And his guitar work is damn amazing. Humbleness is a virtue, but Vernon Reid is more than deserving of an ego.

When you consider the talent, the showmanship, the vibrancy of each of these four men, and realise that Living Colour is more than the sum of its parts, you come to understand that this show is one of those truly amazing nights that surpassed even the wildest expectations. After 30 years, you’d expect them to know how to own a stage. Which they did. The jokes and banter was funny. The music was immersive and compelling. The musicians were genuine. And just to prove it, they all came and met with the fans to take photos and sign merch after the show.

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Living Colour links:

Website: http://www.livingcolour.com/

Facebook: https://www.facebook.com/LivingColour/

Twitter: https://twitter.com/LivingColour

Youtube: https://www.youtube.com/channel/UCBp5wftf7WswgIko42GUfWQ

 

All words and photos by Joseph James