Album Review: The End Of The Ocean -aire

The End Of The Ocean -aire cover
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I’ll admit that I hadn’t come across Ohio’s The End Of The Ocean before seeing them play at dunk!USA in Vermont in 2017, but any of my friends recommended them in the lead up to the festival, and sure enough they played one of the more memorable sets of the weekend.

I’m guessing that the key reason that they’d escaped my attention for so long is because they hadn’t released any music since 2012, which would have been when I was fairly new to the genre and still discovering what gems the world of post-rock had to offer.

But now they’ve ended the wait for new music, offering us the cryptically titled third album, -aire.

I could tell straight away that this album was worth my time. Album opener “endure” commences with light pads and piano chords – ok, atmospheric, setting the mood. But then the drums kick in – so punchy – and I could tell that The End Of The Ocean mean business.

They launch straight into the guts of it from there. The triumphant drums lead us through a euphoric movement that I’m tempted to label as a crescendo – but the energy doesn’t peak and die away. I must add that the mixing is fantastic, offering great depth and clarity.

“bravado” sustains the energy of the first track, offering more melodies and fury. It’s direct, relentless, and glimmering with beauty.

The End Of The Ocean really put the ‘rock’ into post-rock. Forget the loud-quiet-loud approach, these guys and girls go more for the loud-loud-LOUD style, simply adding to the music to increase the fullness and density of the sound.

The intensity doesn’t let up much until we reach the fourth track, “self”. It’s a tender song with pleasant guitar strumming that reminds me of Lights & Motion’sDream Away“. “homesick” follows suite, keeping the mood down for a bit, before bringing the volume back up where it belongs.

Drummer Wes Jackson is a force to be reckoned with. Not content to simply sit back and set the tempo, he injects driving essential energy into each track. Just listen to the blastbeats in “jubilant”!

Lead single “desire” is an ominious beast. Built around a piano ostinato, with the ever brilliant drums rapping on the rim, this is a powerful track. The best part is that unlike most post-rock music we are accustomed to, they don’t just use guitar crescendos and washy cymbals to build the mood, but instead add dynamic complexity to their playing to help the song grow.

This is post-rock that avoids cliché. Sure, it’s emotional instrumental music, but The End Of The Ocean manage to write great songs that avoid the same played-out tropes that every Explosions In The Sky tribute act. -aire pushes past the boundaries of the genre, offering simply brilliant tunes that reward the listener with energy and excitement. Yes, it’s atmospheric and moody, but this is music that demands your attention, not just tired background filler.

Although -aire starts out stronger than it finishes, it’s a solid album guaranteed to stir emotions and pique interest. Check it out and fall in love with it.


The End Of The Ocean links:

Pre-order link to the album: https://theendoftheocean.merchnow.com

Website: http://theendoftheocean.com/

Bandcamp: https://theendoftheocean.bandcamp.com/

Facebook: https://www.facebook.com/theendoftheoceanband/

Twitter: https://twitter.com/endoftheocean

Instagram: https://www.instagram.com/theendoftheocean/

Spotify: http://open.spotify.com/artist/4AXRViJcT2cJ0x1CxSSldW

The End Of The Ocean Tides Of Man Tour Poster

 Joseph James

“The Punk Rock Kids Of Post-Rock”- An Interview With The End Of The Ocean

The End Of The Ocean dunk
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I befriended some of the members of The End Of The Ocean at dunk!USA  when I was touring with the band Ranges last year. Their set was standout for a variety of reasons, but I’ll share a story of my personal connection.

I was at the front of the stage in the photo pit, taking pictures. Trish and Tara were both head banging as they played and I was trying to capture some shots of their hair flicking about. Tara got a bit too into it, and somehow lost balance, knocked her keyboard over, and fell over herself. I jumped up to help her reset her instrument, at the same time worried that I’d get in trouble for going onstage.

Tara was super grateful, and bought me a lot of drinks when we came through her home town of Columbus a few nights later. In all honesty, I can’t remember the all of exact details from Columbus, but I think I became a bit of a handful after too many beersies. I’m told that I got kicked out of a pizzeria, with someone from one of the bands carrying me away over their shoulder, quoting Lord Off The Rings while doing so.

So anyway, I think that The End Of The Ocean are pretty cool. Their music is great, and they’re fun to hang out with. After a long break, they’re back with two new singles, an upcoming album put out through the label Equal Vision, and an upcoming tour with my friends Tides Of Man.

What follows is an interview that probably contains too many stupid in-jokes, but I hope it illuminates who The End Of The Ocean are, and gives you insight into a great band with a great sense of fun.

The End Of The Ocean dunk!USA

The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade

Joseph (Will Not Fade): What inspired the video clip for “bravado”? Slipknot’s “Before I Forget“?

The End Of The Ocean: We compiled a list of wacky ideas and randomly selected three elements that we liked. Our original idea for the video was to have a food fight in our animal masks whilst blowing firecrackers at each other (firecrackers are a normal staple in our van when we’re on tour.) Kris Herrmann, the videographer and director for the “bravado” music video, had a less messy vision in his head with a lot of fantastic suggestions, including a stylistic nod towards Slipknot’s “Before I Forget” video. We are very pleased with how the music video ultimately turned out.

Does your music have a message?

Of course. And it’s up to each individual to decide what that message might be.

What sets this new music apart from your previous output?

During the writing process we accepted that we could not bear the burden of fans’ nostalgia from our previous releases, which left us unafraid to probe our inner space and musical capabilities more freely. Individually, we were all dealing with a series of blows that life threw our way. The emotions and growth we all experienced forged a different fury and wonderment that we hadn’t tried to express musically before. Our new album is a bit more straightforward in some parts, angry, hopeful, even a little playful, and peppered with enough blast beats throughout for every man, woman, and child.

Tell me about working with Mike Watts. How did this partnership come about?

Mike is the man. His previous work speaks volumes on it’s own (producer for The Dillinger Escape Plan, Glassjaw, As Cities Burn, Hopesfall, etc.) and we were lucky enough that Equal Vision could hook us up with him. Mike was super intuitive to how we wanted this new album to sound, and he hit it out of the park.

The End Of The Ocean dunk!USA2017

The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade

I’m intrigued by the album name -aire, could you explain the meaning of it?

The concept of our album stemmed from examining and discussing our humanity, what a strange trip it is to be alive, and the intense elements of our experiences that make us who we are. -aire is a suffix that forms nouns denoting a person characterized by or occupied with that named by the stem. We thought this suffix communicated all of these questions we were asking ourselves beautifully and abstractly.

Also, one of our bandmates is obsessed with the John Wick series and got part of the inspiration for the album name from one of those movies.

How have fans reacted to the two singles (“Bravado” and “Desire”) so far?

Our fans have always been ridiculously generous and supportive of our music. The response so far has been super. (Thanks, dudes!)

How has your approach to writing music changed since you started The End Of The Ocean?

This is the longest held lineup we’ve ever had in this band. So, basically, we argue less during practice and writing?

Generally speaking, we write most of our music together and historically that’s how our band has always done it. Not much has deviated from that.

I think that it is so awesome that you have two women in the band. What message have you got for any girls wanting to get into music?

Trish: Go for it. Just do it.

Tara: There’s nobody holding you back but you.

Do not enter this musical world with a victim complex. It’s boring and will only make you a sorry sack of excuses for not putting in the work.

If you’re a woman, you already know how many opinions and stereotypes with which you have to contend on a daily basis. Transcendence is harder than resigning yourself to other people’s’ opinions, but it makes you mighty. No wilting. No whimpering. Jump in head first and get ready to laugh at yourself often!

From Tara and Trish: If you’re a woman at one of our shows, please feel free to approach us if you’d like. We’re constantly in the midst of a sausage party when we’re doing band stuff, and it’s nice getting small breaks from all that. Sisterhood, unite!

I remember hearing that you’ve signed to Equal Vision when I was in Columbus last year. Has it been hard keeping this a secret?

We pretty much told all of our friends immediately. The only thing we didn’t do was post about it online until the label gave us the green light for the official announcement. Heh.

The End Of The Ocean dunk!USA

The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade

In the past you’ve done DIY packaging for making your CD’s. Do you think this has helped you forge a closer connection with your fanbase? Do Tara and Trish really kiss the tshirts and CD’s?

It was a cool feature, but we aren’t aware of it making a deeper connection to our fans. Ultimately, the DIY packaging set the stage for us to develop minor carpal tunnels syndrome, watch cool movies together while folding and stamping the sleeves, and for Tara to make fun of Kevin for how much Type O Negative he listens to on a regular basis.

Tara and Trish do not kiss any merch. Sorry, guys and ghouls. They have, however, accidentally sneezed on or briefly worn some of the merch. Who doesn’t like laughing hysterically at a child-sized woman trying on a XXXL shirt? (Obviously referring to Trish. Tara is sizeably more like an average-sized man.)

Are we ever going to hear a split release with The Ocean Collective? Or We Lost The Sea?

Who?

Kidding. We’d bet $5 they’d probably respond the same way about us.

How about a HIM or CKY split, yeah?

I remember during your soundcheck at dunk!USA you promised Nickelback covers. Have you ever followed through on such threats?

Don’t be afraid. Keep coming to our shows to find out. Maybe we’ll throw in some Creed too.

It was a fantastic set that really stood out. I loved the extra touches, like throwing beach balls into the audience and the Walking Dead sample. At a post-rock festival like dunk!, many of the bands sound similar, and struggle to appear unique. How do you come up with ideas for making your shows interesting?

Thank you for the generous compliment. We just like to have fun as a band and don’t take ourselves too seriously. Most of our ideas come from us joking around in the van because we’re bored. The props for dunk!USA were a fun idea until the smokers in the band realized the joke was on them and they had to blow up all the beach balls by themselves. Yadda, yadda, straightedge revenge or something? Thanks a lot, Wes and Kevin.

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We made @rangesmusic a traveling companion. #faceoff

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Shown above is one of the beach balls from the dunk!USA set. The guys from Man Mountain added some creative touches and gifted it to their tour buddies Ranges.

 

Tell me your coolest nautical related story.

That ferry we took to get to dunk!USA in Vermont was pretty siq.

Wes, what is the secret to keeping your flesh beautiful?

Pringles. Red Bull. And the most diverse array of gas station delectables you could possibly imagine.

(Joseph, it’s hilarious you remembered us mentioning this while we were all hanging out at dunk!USA. Side story to fill everyone else in: When we were on tour a number of years ago, our drummer Wes was sitting outside the venue we were playing in Tempe, Arizona. We didn’t realize the adult bookstore next door was also a known glory-hole hot spot. So, as our sweet little Wesley was killing time by himself before our set, a suspect man approached him from the aforementioned adult bookstore and said with a thousand yard stare, “You have beautiful flesh.” The man, while creepy, isn’t wrong. Wink wink)

The End Of The Ocean dunk!USA2017

The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade

I remember hanging out with Tara and Bryan in Junius’ hotel room after dunk!USA. A few of the guys from Caspian were there too. That was a big moment for me, realising that my small music blog had been a catalyst for travelling around the world and hanging out with some musicians I held great admiration for. Do you ever have moments where you have to step back and take stock of how far you’ve come?

That was a fun night! And yes, we have those big picture moments all of the time. Band life is absurd, so when you approach this lifestyle with a spirit of humility and gratitude, it isn’t difficult to get smacked squarely in the face with awe when stuff gets really meta.

You frequently do the “hardstyle” pose in your photos, and this has begun to spread within the post-rock community. I’ve been in a bunch of said photos with the likes of Ranges, Man Mountain and Cloud Shelter . Do you know where the hardstyle pose originated, or how it became popularised?

Prison. Hardstyle posing was also known as a “prison pose”. The tough guy hardcore scene is a sub-group that adopted this photo pose. And we took it from the hardcore scene and brought it to post-rock.

Our very own Kevin Shannon is also the originator of the #dailyhardstyle hashtag on Instagram. Bless.

What rules do you have in place for staying sane/healthy on tour?

Headphones. Sleep whenever it’s possible. Drink lots of water and juices. Bring a good book and keep feeding that noodle so it doesn’t turn to mush.

What is the best pizza flavour?

Trish – Pineapple

Kevin and Wes – All pizza is good pizza. No slice left behind. (Only it it’s vegan.)

Tara – Your dad’s b-hole

Crazy riders belong in the pantheon of rock mythology, with hilarious stories from the likes of Ozzy Osbourne and Van Halen. That said the greatest rider I’ve ever seen was yours from dunk!USA. Where did you find such inspiration?

One of us was bored one night and just started compiling the list. We wanted David Zeidler [the dunk!USA organiser] to know what he was “in for” when we rolled through town for dunk!USA. If you aren’t laughing, you ain’t living, my friend.

David Zeidler called you the “punk rock kids of post-rock”. Do you think you deserve this title?

We love it. We’ll take it.

The End Of The Ocean dunk!USA hospitality rider

The End Of The Ocean dunk!USA hospitality rider

What have been your career highlights to date?

Definitely playing the main stage at dunk!fest in Belgium. We still talk about it almost every single time we’re all together jamming or hanging out. It’s one of the best festivals out there to date.

And how about the worst moments?

Not having AC in our van for a six and a half week tour in the summer of 2012. Vinyl seats are no bueno in that type of scenario.

As you know, I talk funny because I’m a New Zealander, and Jakob are one of the best bands from my country. Did you befriend them when you both played dunk!festival 2015 in Belgium?

Unfortunately, we never had the pleasure of meeting them. Jakob is great, though!

Which bands are your faves for playing/touring with?

In most cases we’d say the heavier, the better. Our live performance is a bit of a tempest, and we just love performing with other bands with similar energy.

Some fantasy tours: Kevin – Bruce Spingsteen, Type O Negative, Bush Wes – Behemoth, NIN, Sigur Ros Trish – Thursday, Thrice, The Story So Far Tara – Bjork, Die Antwoord, The Misfits

Usually a new single signals an upcoming album, and then a supporting tour. What plans do you have in the works?

Our new album “-aire” is coming out January 18, 2019 through Equal Vision Records! We are also hitting the road for a headlining tour with Tides of Man in tow. Check the dates below and we look forward to seeing you guys soon!

The End Of The Ocean

Image: Bee Gats

THE END OF THE OCEAN -AIRE TOUR

WITH SPECIAL GUESTS TIDES OF MAN

JAN 18 COLUMBUS, OH AT ACE OF CUPS

JAN 19 CHICAGO, IL AT BEAT KITCHEN

JAN 20 DETROIT, MI AT EL CLUB

JAN 22 TORONTO, ON AT LEE’S PALACE

JAN 23 MONTREAL, QC AT CASA DEL POPOLO

JAN 24 NEW YORK, NY AT SAINT VITUS

JAN 25 ALLSTON, MA AT GREAT SCOTT

JAN 26 PHILADELPHIA, PA AT MILKBOY

JAN 27 BALTIMORE, MD AT OTTOBAR

The End Of The Ocean Tides Of Man Tour Poster


The End Of The Ocean links:

Pre-order link to the album: https://theendoftheocean.merchnow.com

Website: http://theendoftheocean.com/

Bandcamp: https://theendoftheocean.bandcamp.com/

Facebook: https://www.facebook.com/theendoftheoceanband/

Twitter: https://twitter.com/endoftheocean

Instagram: https://www.instagram.com/theendoftheocean/

Spotify: http://open.spotify.com/artist/4AXRViJcT2cJ0x1CxSSldW

 

Joseph James

 

Ranges Ascensionist Tour Update 3: Syracuse, Columbus, St Louis

Ranges FOAM St Louis
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Apologies for the lack of images. I’ll update this post with photos when I get wifi access.

Tour Day 11: Monday 9 October

Spark Contemporary Art Space, Syracuse, New York

w/ Man Mountain, Against The Giants, Machine Moon, How To Disappear Completely

The drive from Vermont to Syracuse is incredible. I lived in Maine for a few months earlier in the year, and it feels good to be back in beautiful New England. Upstate New York is aglow with autumnal hues. We drove through winding country roads, past glassy ponds, and through misty groves of vibrant deciduous trees. Joey put on Young and Courageous, the Tides of Man record. It seems like the perfect soundtrack for this beautiful drive. Joey and I get watery-eyed. It’s crazy how closely attached we feel to the guys in that band, considering that we’ve only known each other for four days.

I was up into the early hours of the morning hanging out with some of the musicians from dunk! in the Junius hotel room, so wasn’t feeling too crash-hot due to limited sleep.

We arrived in Syracuse and unloaded the gear into the venue – an art gallery similar to the one we played in Minot, although this one was bare.

I asked CJ what he was thinking, going from playing the biggest show of his career to the smallest. He sad he was happy for it because the pressure from dunk had been lifted off his shoulders.

We walked to a nearby pizza joint a few blocks away. It was chaos. We had to order from one place and pay at another. The staff didn’t even seem to know what was going on. I sat down with my laptop to sort through photos I’d taken at dunk!

After pizza we walked back to the venue, and I realised that my wallet was absent from my back pocket where it usually lives. I searched my bag thoroughly, emptied out my pockets and asked the guys if they’d seen it.

After turning my bag inside out a few times, and retracing my steps and searching the pizza joint, I came to the conclusion that my wallet was stolen. I spent the next hour sat in the van ringing banks to cancel my cards and trying to do some damage control for when whoever had my wallet was trying to get access to things with it.

I can’t comment on the bands that night. I was too absorbed in my own little world and took some time out in the van. Not a good day for me.

Tour Day 12: Tuesday 10 October

Spacebar, Columbus, Ohio

w/ Man Mountain, Deprecator

Thankfully I still had my passport on me, and was able to withdraw the rest of the balance from my American bank account. It wasn’t much, but it should last me the rest of my time here if I’m not stupid.

Local band Deprecator played a fun set of thrash metal, with some Slayer thrown in for good measure. It was a refreshing change from the music I’ve listened to over the past few weeks.

The End Of The Ocean live in Ohio, so we met up with some of the band at the show. The bar had ginger beer – my personal favourite – so I bought a round.Then Tara from TEOTO bought a few shots, then I had a few more beers on the band tab. Before I knew it I was buzzing.

Ranges did their usual thang. You’d think that after seeing them play the same stuff for 11 nights I’d be sick of it, but I still love watching them play. I’ve seen them enough now that I’m confident I could step in for Mark on drums if he should go Spinal Tap on us and spontaneously combust or fall off a stage.

Man Mountain were great. I posted a status on twitter: “Man Mountain: 100% bearded, 100% awesome”. I still stand by that drunken statement. It was lots of fun dancing along to their music. They have a foot pedal that sets off flood lights during their heavier passages of music. It’s simple, but adds so much to the experience.

After the show we headed down the street for a few more drinks at the bar Tara works at, and some pizza from a connected pizzeria. I covered my slice in unicorn sauce. I couldn’t tell you what it is, but it tasted amazing.

A homeless guy asked Mike from Man Mountain if he was from ZZ Top, clearly because of his impressive beard. Mike played along completely straight-faced. I just lost it.

Fun times!

Tour Day 13: Wednesday 11 October

Foam, St Louis, Missouri

w/ Man Mountain, Staghorn, CaveofswordS

One thing I adore about this scene is the DIY mentality. Ranges print their own merch and record their own music. Mark built his own snare drum. Jared made coffee cups to go with the deluxe edition of their album.

We met another band in St Louis with a similar mindset: Staghorn. Staghorn also has a printing press, so do their own t-shirts and even screen printed some posters for the show as souvenirs for us. On top of that, they even make their own amps!

Their set revolved around a dystopian comic that the band had written, with the narrative coming through the PA on a back track. I’m a sucker for spoken word samples in post-rock, and I also subscribe completely to dystopian texts, so this was the best of both worlds.

As well as drawing me in to the music, the band looked amazing. Their own custom amps look unlike most I’ve seen. They also had two lights that included salt lamps and spotlights. Allan on guitar had a balaclava/turban wrap around his face and head, adding to the sci-fi imagery. And they had a harmonium – like a piano with bellows – which was new to me, and great to watch.

Man Mountain, as usual, killed it. Those dudes are super talented and I wish them all the success they deserve.

CaveofswordS ended the night with their unique electro/darkwave/synthpop. It was quite the set up, with plenty of synths and modulators and things with buttons that I couldn’t name. The music was fun and depressing at the same time.

After the show most of the people in bands hung around outside. It was our last night with Man Mountain, and sad to see them go. Jacob the drummer and I bonded over an intense love for Into It. Over It. Bryan the guitarist told me about how he got into post-rock by listening to Lowercase Noises, which prompted him to experiment with his own ambient sounds, and later join Man Mountain.

I’m not sure exactly what time we left the venue, but apparently about ten minutes later there was a shootout right outside where we had been, resulting in a police officer being shot!

Words and photos by Joseph James