The Post-Rock scene is not only diverse but extremely rich worldwide. The boundaries of this genre have been pushed far and wide over the years and Portugal was not indifferent to it. The Portuguese Post-Rock scene has grown over the years and solid acts have pushed the limits. Take a listen!
10 – Okkur Okkur (from Barcelos) is one of those bands that astounds you in a way that is different from all the others. The band takes some influences from bands like The Last Days and Líam. This music will speak to your soul and you will not be the same person after listening to this. Every instrument is like a perfect piece in a perfect puzzle that is not only wholesome, but also pure, raw and magical for every second of it!
9 – Cerca Cerca is the project and vision of Né Alves. With strong, vibrant riffs, each song is a story of its own, always surprising you, always pulling you in. Live, they are intense and unique. Like a punch in the stomach that instead of sending you to the stars, it pulls you down to the Earth and grounds you in a way you did not think it was possible. Cerca released their album VII in September 2017 and it’s a must-listen!
8- Juseph Juseph is a band formed in Vale de Cambra in 2009 whose discovery was quite a surprise. With a unique sound, distortion-driven guitars and wild grooves, they produce the sort of musical landscape that takes you to an alternative dimension and leaves you mesmerized with the sound. They have two releases: 2013’s Novae EP, and recent 2019 album Óreida. One of the most positive surprises that the Portuguese post-rock scene has to offer.
7 – Then They Flew
Hailing from Lisbon, Then They Flew is a band that leads you to a dreamscape in which vivid imagery comes to life with each note and every chord played. Soothing melodies and intense riffs bring just about the exact intensity for each moment of each song. Their style is inspired by many artists and you will find strong resemblances to If These Trees Could Talk. They released their album Stable as the Earth Stops Spinning in 2015.
6 – Imploding Stars Imploding Stars can best be defined as rich melodies and emotional uplifting music that takes you to the outer reaches of space. Hailing from the city of Braga, Imploding Stars have made a journey that not only contributed for their own personal growth and definition as a band but also to the pleasure of every post-rock listener who had the grace to find their music. They count three albums in their discography and one of them was made as a soundtrack for the movie From Earth to the Universe¸ produced for Casa da Ciência de Braga.
5 – First Breath After Coma Founded in 2012, First Breath after Coma are a unique band. With three albums in their discography, they have risen to great heights and joined the platoon of international Portuguese bands. In March 2019 they released their last album NU, after the acclaimed 2016 Drifter. NU is an experience worth listening to. Experiencing and pushing musical boundaries, First Breath After Coma are surely bound to continue to grow and present us with amazing art.
4 – Homem em Catarse Homem em Catarse is the project of indignu’s guitarist Afonso Dorido. Counting with one EP: Homem em Catarse and two albums: Guarda-Rios and Viagem Interior, Homem em Catarse is the combination of Post-Rock looped guitars and the traditional Portuguese Fado singing. His latest album, Viagem Interior is a recollection of experience and lives from the rural areas of Portugal that were left behind and sometimes forgotten. It’s a journey to the deepest roots of what Portugal has to offer.
3 – Catacombe Starting in 2007 in the town of Vale de Cambra, Catambe carved a journey over the years that lead them to the release of an EP: Memoirs in 2008 and two albums in 2010 and 2014. In 2013 they appeared as the surprise band in Amplifest, participating with bands such as Deafheaven, Russian Circles, Year of no Light, amongst others. They have shared the stage with other bands such as Tides from Nebula and Minsk and on the 7th of June they are going to release the album Scintilla. This album represents a journey to the origins, and as the band puts it: “Scintilla leads us back to that primordial moment when man discovers fire, so that millions of years alter a band can discover the course, or the maturity.”
2 – Before and After Science Born in Oporto in 2009, Before and After Science have made their presence known over the past couple of years. In 2013 they released the EP Vital Signs of a Fallen World and finally in 2017, their album Relics & Cycles. Taking influences from bands like If These Trees Could Talk and Russian Circles, they stand out in the Portugal Post-Rock/Post-Metal scene with their strong riffs and intense music. A band definitely worth listening to if you’re looking for heavy and powerful music that will not leave you indifferent.
1 – indignu [lat.] And finally, for the first place! Indignu [lat.] is one of the most prominent Portuguese acts out there. Originally from the small town of Barcelos, they released their fourth album Umbra in May 2018. The band called Umbra “a record in memory of all the souls left in the gloom of a tragedy that raped our homeland last year. A black, painful, haunted set that describes the penumbra in which a man lives immersed in the dark chaos, in the apocalypse.”. This is the kind of band whose intense and emotional way of playing will trigger deep, strong emotions that are hard to grasp and comprehend. In September, they will be playing VIVID. a post_rock festival in Norway, with what will surely be an intense and immersive show.
I’ll admit that I hadn’t come across Ohio’s The End Of The Ocean before seeing them play at dunk!USA in Vermont in 2017, but any of my friends recommended them in the lead up to the festival, and sure enough they played one of the more memorable sets of the weekend.
I’m guessing that the key reason that they’d escaped my attention for so long is because they hadn’t released any music since 2012, which would have been when I was fairly new to the genre and still discovering what gems the world of post-rock had to offer.
But now they’ve ended the wait for new music, offering us the cryptically titled third album, -aire.
I could tell straight away that this album was worth my time. Album opener “endure” commences with light pads and piano chords – ok, atmospheric, setting the mood. But then the drums kick in – so punchy – and I could tell that The End Of The Ocean mean business.
They launch straight into the guts of it from there. The triumphant drums lead us through a euphoric movement that I’m tempted to label as a crescendo – but the energy doesn’t peak and die away. I must add that the mixing is fantastic, offering great depth and clarity.
“bravado” sustains the energy of the first track, offering more melodies and fury. It’s direct, relentless, and glimmering with beauty.
The End Of The Ocean really put the ‘rock’ into post-rock. Forget the loud-quiet-loud approach, these guys and girls go more for the loud-loud-LOUD style, simply adding to the music to increase the fullness and density of the sound.
The intensity doesn’t let up much until we reach the fourth track, “self”. It’s a tender song with pleasant guitar strumming that reminds me of Lights & Motion’s “Dream Away“. “homesick” follows suite, keeping the mood down for a bit, before bringing the volume back up where it belongs.
Drummer Wes Jackson is a force to be reckoned with. Not content to simply sit back and set the tempo, he injects driving essential energy into each track. Just listen to the blastbeats in “jubilant”!
Lead single “desire” is an ominious beast. Built around a piano ostinato, with the ever brilliant drums rapping on the rim, this is a powerful track. The best part is that unlike most post-rock music we are accustomed to, they don’t just use guitar crescendos and washy cymbals to build the mood, but instead add dynamic complexity to their playing to help the song grow.
This is post-rock that avoids cliché. Sure, it’s emotional instrumental music, but The End Of The Ocean manage to write great songs that avoid the same played-out tropes that every Explosions In The Sky tribute act. -aire pushes past the boundaries of the genre, offering simply brilliant tunes that reward the listener with energy and excitement. Yes, it’s atmospheric and moody, but this is music that demands your attention, not just tired background filler.
Although -aire starts out stronger than it finishes, it’s a solid album guaranteed to stir emotions and pique interest. Check it out and fall in love with it.
Regular readers will know that I teach toddlers for a living. It’s a lot of fun, drawing pictures, digging in the sandpit, building lego, reading stories, running around, acting silly, and generally doing things that don’t really sound like “work” (although believe me – it’s not easy!)
Trying to create a fun and vibrant feeling environment is an integral part of my job. It’s easier to learn things when we feel comfortable and at ease. I enjoy finding music that can help to elevate or lower the mood of the room, depending on the need. Relaxing ambient music by the likes of Rhian Sheehan or Steve Gibbs can help settle everyone down for the chilled out times of the day. And dance parties that feature Disney tunes from soundtracks like Frozen,Lion King and Moana are daily occurrences. But my favourites are upbeat post-rock and math-rock – fun stuff like Toe, Just Neighbours, Tom’s Story and Dorena.
Filipino quartet tide/edit just got added to that list. I can’t believe that they’ve escaped my attention until now, because this is exactly the kind of music I need in my life.
All My Friends ticks all the boxes: upbeat, energetic and melodic. It’s fun and interesting without feeling too distracting.
I’m sure that any math fans will know the deal: it’s happy, tappy music that makes you feel good and want to move your body. For the longest time I thought that math-rock only featured innaccesable bands like Dillinger Escape Plan or Messhuggah, which put me off. But bands like tide/edit have taught me that exploring different time signatures doesn’t alway make a band hard to listen to, it just means that they’re too talented for their own good.
But seriously, All My Friends is a great record. As the title would suggest, it’s the soundtrack to friendship and playfullness. We hear light tapping on guitar fretboards, twinkly riffs and busy drumming, all coming together to create wonderful music. “Chronograph” transports us to electronica territory with glitches in the beat. It doesn’t matter if you’re pumped up, or feeling dreamy and vacant, this music just makes you feel good about life.
Now I know that I cover a lot of instrumental music on this site, but I must disclose that the track “White Flag” contains (cover your ears, children)… vocals! Singing? How dare they? But jokes aside, Dee Cruz’s vocal addition makes for a lovely relaxing song.
It is the start of summer here in New Zealand, which means time spent with friends, cooking on barbeques, hanging out at beaches and rivers, and making time to enjoy what life has to offer. I dare say tide/edit’s carefree tunes from All My Friends will make worthy additions to the soundtrack.
New Musical Horizons tent at dunk!fest 18. Zeidler and myself in front, with Guillaume Morette (centre) and the guys from Ranges behind.
Last year I invented an award for Adam Page, who deserved some praise for his work. Being an arbitrary award, I didn’t have set selection criteria or anything of the sort, I just think Page is awesome, and contributes a lot to the music scene.
So this year the choice seemed fairly obvious to me. And it is somewhat ironic that this recipient isn’t even a musician, but there’s no denying that he has contributed hugely to his music scene on an international scale.
I first came across David Zeidler through his writing. At the time he wrote for Echoes & Dust. Later on his was a key figure running Arctic Drones (the best post-rock site out there – give those guys some love!). And now he contributes to Heavy Blog Is Heavy.
Funnily enough, is roots aren’t in music, but horror films. He cut his teeth writing for horror zine Fangoria, and organising cult horror film screenings in New England cinemas. Over the years he transitioned to post-rock music, using the skills he’d aquired through his writing and by running events.
Outside the Hard Rock Cafe Lyon. Zeidler and myself in front, with the guys from Ranges and Cloud Shelter behind
Thinking back, our first interactions were when Zeidler asked me if I’d like to contribute to a Explosions In The Sky tribute he was assembling.
Not long after he asked me to suggest some good local bands. He was working with CJ Blessum of A Thousand Arms [and Ranges, and also former WNF writer] to put out Open Language, an international post-rock compilation, and wanted to find acts from all over the globe so that they’d have a wide selection of music to showcase. A Thousand Arms now have six compilations out, which have helped countless music fans discover new bands from around the world.
Not happy to settle with the work he’d done already, Zeidler formed a few Facebook groups to cultivate an online community. One in particular is great initiative and an invaluable resource for all the creative figures in the game, who can reach out to find others for recording, touring, design, reviews, . It is common to see something along the lines of “Hey, my band x is trying to put a tour together in this region around these dates.”, with many others replying to help piece the tour together.
Now it’s one thing to organise and promote a few local shows, or even provide a platform for others to do it themselves, but Zeidler decided to jump in the deep end and organise a music festival with an international line-up.
Inspired by a trip to dunk!fest in Belgium, Zeidler decided that America needed something equivalent. He began working on putting on dunk!USA in his hometown of Burlington, featuring a stellar line-up from America, as well as a few international acts. He already had a full-time job, plus his work writing for Arctic Drones, but decided that jumping in the deep end and taking the workload of organising a festival of this size with within his capabilities.
dunk!USA wasn’t a total success in a financial sense, but it provided a springboard for launching this year’s post. Festival in Indiana, and paved the way for possible future dunk!USA events. It was well run, felt professional, and brought many bands from the American scene together.
I personally had a great time at the event. I’d been on tour with the band Ranges, working as a roadie/tour blogger, helping with set ups/pack downs and documenting the tour with my writing and photography. The festival was the climax of said tour. I was stoked to finally meet David in person once we’d arrived in Burlington, and we even stayed at his apartment.
Drunk Joseph during Astronoid at dunk!USA. The back of Zeidler’s head far right. Image taken from Behind The Scenes footage in the forthcoming Ranges DVD The Ascent
The following year Ranges invited me back on tour with them, this time in Europe. But they also invited Zeidler.
I’ll be honest, I felt threatened. I thought I’d already proved myself when touring with Ranges in America. Why did they need another blogger? Arctic Drones has a far greater reach than I’ll ever have, so I was worried I’d be stuck under Zeidler’s shadow.
I needn’t have worried. Zeidler wasn’t trying to steal my job (can I call it a job? It was unpaid. Internship maybe?). We have different focuses anyway – Zeidler writes about foods he ate on tour, whereas I’m more Gonzo styled and write about the crazy character I meet, or shenanigans I get up to.
We shared some quality time together, eating fine European foods. It was nice to have a friend to spend time with who was free when the band was doing soundcheck. We ate fine cheeses and meat in Paris, and went on a crepe date in Lyon.
In the Ranges tour van in Europe. Image: Luxinvictus
These days Zeidler is writing for Heavy Blog Is Heavy, and runs PR company Young Epoch – an arm of A Thousand Arms which focuses on promoting bands and running smaller local events. I wouldn’t be surprised if he makes an appearance at dunk!fest in Belgium again next year, or has a part to play in organising another USA festival in the next year or two.
So there you have it: music promoter, festival and show organiser, publicist, and stalward of the international post-rock community – David Zeidler, recipient of the 2019 Will Not Fade Awesomeness Award.
I befriended some of the members of The End Of The Ocean at dunk!USA when I was touring with the band Ranges last year. Their set was standout for a variety of reasons, but I’ll share a story of my personal connection.
I was at the front of the stage in the photo pit, taking pictures. Trish and Tara were both head banging as they played and I was trying to capture some shots of their hair flicking about. Tara got a bit too into it, and somehow lost balance, knocked her keyboard over, and fell over herself. I jumped up to help her reset her instrument, at the same time worried that I’d get in trouble for going onstage.
Tara was super grateful, and bought me a lot of drinks when we came through her home town of Columbus a few nights later. In all honesty, I can’t remember the all of exact details from Columbus, but I think I became a bit of a handful after too many beersies. I’m told that I got kicked out of a pizzeria, with someone from one of the bands carrying me away over their shoulder, quoting Lord Off The Rings while doing so.
So anyway, I think that The End Of The Ocean are pretty cool. Their music is great, and they’re fun to hang out with. After a long break, they’re back with two new singles, an upcoming album put out through the label Equal Vision, and an upcoming tour with my friends Tides Of Man.
What follows is an interview that probably contains too many stupid in-jokes, but I hope it illuminates who The End Of The Ocean are, and gives you insight into a great band with a great sense of fun.
The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade
Joseph (Will Not Fade): What inspired the video clip for “bravado”? Slipknot’s “Before I Forget“?
The End Of The Ocean: We compiled a list of wacky ideas and randomly selected three elements that we liked. Our original idea for the video was to have a food fight in our animal masks whilst blowing firecrackers at each other (firecrackers are a normal staple in our van when we’re on tour.) Kris Herrmann, the videographer and director for the “bravado” music video, had a less messy vision in his head with a lot of fantastic suggestions, including a stylistic nod towards Slipknot’s “Before I Forget” video. We are very pleased with how the music video ultimately turned out.
Does your music have a message?
Of course. And it’s up to each individual to decide what that message might be.
What sets this new music apart from your previous output?
During the writing process we accepted that we could not bear the burden of fans’ nostalgia from our previous releases, which left us unafraid to probe our inner space and musical capabilities more freely. Individually, we were all dealing with a series of blows that life threw our way. The emotions and growth we all experienced forged a different fury and wonderment that we hadn’t tried to express musically before. Our new album is a bit more straightforward in some parts, angry, hopeful, even a little playful, and peppered with enough blast beats throughout for every man, woman, and child.
Tell me about working with Mike Watts. How did this partnership come about?
Mike is the man. His previous work speaks volumes on it’s own (producer for The Dillinger Escape Plan, Glassjaw, As Cities Burn, Hopesfall, etc.) and we were lucky enough that Equal Vision could hook us up with him. Mike was super intuitive to how we wanted this new album to sound, and he hit it out of the park.
The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade
I’m intrigued by the album name -aire, could you explain the meaning of it?
The concept of our album stemmed from examining and discussing our humanity, what a strange trip it is to be alive, and the intense elements of our experiences that make us who we are. -aire is a suffix that forms nouns denoting a person characterized by or occupied with that named by the stem. We thought this suffix communicated all of these questions we were asking ourselves beautifully and abstractly.
Also, one of our bandmates is obsessed with the John Wick series and got part of the inspiration for the album name from one of those movies.
How have fans reacted to the two singles (“Bravado” and “Desire”) so far?
Our fans have always been ridiculously generous and supportive of our music. The response so far has been super. (Thanks, dudes!)
How has your approach to writing music changed since you started The End Of The Ocean?
This is the longest held lineup we’ve ever had in this band. So, basically, we argue less during practice and writing?
Generally speaking, we write most of our music together and historically that’s how our band has always done it. Not much has deviated from that.
I think that it is so awesome that you have two women in the band. What message have you got for any girls wanting to get into music?
Trish: Go for it. Just do it.
Tara: There’s nobody holding you back but you.
Do not enter this musical world with a victim complex. It’s boring and will only make you a sorry sack of excuses for not putting in the work.
If you’re a woman, you already know how many opinions and stereotypes with which you have to contend on a daily basis. Transcendence is harder than resigning yourself to other people’s’ opinions, but it makes you mighty. No wilting. No whimpering. Jump in head first and get ready to laugh at yourself often!
From Tara and Trish: If you’re a woman at one of our shows, please feel free to approach us if you’d like. We’re constantly in the midst of a sausage party when we’re doing band stuff, and it’s nice getting small breaks from all that. Sisterhood, unite!
I remember hearing that you’ve signed to Equal Vision when I was in Columbus last year. Has it been hard keeping this a secret?
We pretty much told all of our friends immediately. The only thing we didn’t do was post about it online until the label gave us the green light for the official announcement. Heh.
The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade
In the past you’ve done DIY packaging for making your CD’s. Do you think this has helped you forge a closer connection with your fanbase? Do Tara and Trish really kiss the tshirts and CD’s?
It was a cool feature, but we aren’t aware of it making a deeper connection to our fans. Ultimately, the DIY packaging set the stage for us to develop minor carpal tunnels syndrome, watch cool movies together while folding and stamping the sleeves, and for Tara to make fun of Kevin for how much Type O Negative he listens to on a regular basis.
Tara and Trish do not kiss any merch. Sorry, guys and ghouls. They have, however, accidentally sneezed on or briefly worn some of the merch. Who doesn’t like laughing hysterically at a child-sized woman trying on a XXXL shirt? (Obviously referring to Trish. Tara is sizeably more like an average-sized man.)
Are we ever going to hear a split release with The Ocean Collective? Or We Lost The Sea?
Who?
Kidding. We’d bet $5 they’d probably respond the same way about us.
How about a HIM or CKY split, yeah?
I remember during your soundcheck at dunk!USA you promised Nickelback covers. Have you ever followed through on such threats?
Don’t be afraid. Keep coming to our shows to find out. Maybe we’ll throw in some Creed too.
It was a fantastic set that really stood out. I loved the extra touches, like throwing beach balls into the audience and the Walking Dead sample. At a post-rock festival like dunk!, many of the bands sound similar, and struggle to appear unique. How do you come up with ideas for making your shows interesting?
Thank you for the generous compliment. We just like to have fun as a band and don’t take ourselves too seriously. Most of our ideas come from us joking around in the van because we’re bored. The props for dunk!USA were a fun idea until the smokers in the band realized the joke was on them and they had to blow up all the beach balls by themselves. Yadda, yadda, straightedge revenge or something? Thanks a lot, Wes and Kevin.
Shown above is one of the beach balls from the dunk!USA set. The guys from Man Mountain added some creative touches and gifted it to their tour buddies Ranges.
Tell me your coolest nautical related story.
That ferry we took to get to dunk!USA in Vermont was pretty siq.
Wes, what is the secret to keeping your flesh beautiful?
Pringles. Red Bull. And the most diverse array of gas station delectables you could possibly imagine.
(Joseph, it’s hilarious you remembered us mentioning this while we were all hanging out at dunk!USA. Side story to fill everyone else in: When we were on tour a number of years ago, our drummer Wes was sitting outside the venue we were playing in Tempe, Arizona. We didn’t realize the adult bookstore next door was also a known glory-hole hot spot. So, as our sweet little Wesley was killing time by himself before our set, a suspect man approached him from the aforementioned adult bookstore and said with a thousand yard stare, “You have beautiful flesh.” The man, while creepy, isn’t wrong. Wink wink)
The End Of The Ocean at dunk!USA 2017. Image: Will Not Fade
I remember hanging out with Tara and Bryan in Junius’ hotel room after dunk!USA. A few of the guys from Caspian were there too. That was a big moment for me, realising that my small music blog had been a catalyst for travelling around the world and hanging out with some musicians I held great admiration for. Do you ever have moments where you have to step back and take stock of how far you’ve come?
That was a fun night! And yes, we have those big picture moments all of the time. Band life is absurd, so when you approach this lifestyle with a spirit of humility and gratitude, it isn’t difficult to get smacked squarely in the face with awe when stuff gets really meta.
You frequently do the “hardstyle” pose in your photos, and this has begun to spread within the post-rock community. I’ve been in a bunch of said photos with the likes of Ranges, Man Mountain and Cloud Shelter . Do you know where the hardstyle pose originated, or how it became popularised?
Prison. Hardstyle posing was also known as a “prison pose”. The tough guy hardcore scene is a sub-group that adopted this photo pose. And we took it from the hardcore scene and brought it to post-rock.
Our very own Kevin Shannon is also the originator of the #dailyhardstyle hashtag on Instagram. Bless.
What rules do you have in place for staying sane/healthy on tour?
Headphones. Sleep whenever it’s possible. Drink lots of water and juices. Bring a good book and keep feeding that noodle so it doesn’t turn to mush.
What is the best pizza flavour?
Trish – Pineapple
Kevin and Wes – All pizza is good pizza. No slice left behind. (Only it it’s vegan.)
Tara – Your dad’s b-hole
Crazy riders belong in the pantheon of rock mythology, with hilarious stories from the likes of Ozzy Osbourne and Van Halen. That said the greatest rider I’ve ever seen was yours from dunk!USA. Where did you find such inspiration?
One of us was bored one night and just started compiling the list. We wanted David Zeidler [the dunk!USA organiser] to know what he was “in for” when we rolled through town for dunk!USA. If you aren’t laughing, you ain’t living, my friend.
David Zeidler called you the “punk rock kids of post-rock”. Do you think you deserve this title?
We love it. We’ll take it.
The End Of The Ocean dunk!USA hospitality rider
What have been your career highlights to date?
Definitely playing the main stage at dunk!fest in Belgium. We still talk about it almost every single time we’re all together jamming or hanging out. It’s one of the best festivals out there to date.
And how about the worst moments?
Not having AC in our van for a six and a half week tour in the summer of 2012. Vinyl seats are no bueno in that type of scenario.
As you know, I talk funny because I’m a New Zealander, and Jakob are one of the best bands from my country. Did you befriend them when you both played dunk!festival 2015 in Belgium?
Unfortunately, we never had the pleasure of meeting them. Jakob is great, though!
Which bands are your faves for playing/touring with?
In most cases we’d say the heavier, the better. Our live performance is a bit of a tempest, and we just love performing with other bands with similar energy.
Some fantasy tours: Kevin – Bruce Spingsteen, Type O Negative, Bush Wes – Behemoth, NIN, Sigur Ros Trish – Thursday, Thrice, The Story So Far Tara – Bjork, Die Antwoord, The Misfits
Usually a new single signals an upcoming album, and then a supporting tour. What plans do you have in the works?
Our new album “-aire” is coming out January 18, 2019 through Equal Vision Records! We are also hitting the road for a headlining tour with Tides of Man in tow. Check the dates below and we look forward to seeing you guys soon!
![indignu [lat.]](https://i1.wp.com/willnotfade.com/wp-content/uploads/2019/06/indignu.jpg?resize=300%2C300&ssl=1)
