Album Review: Lakes – The Constance LP

Lake The Constance LP cover art
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I knew I was onto something good from the moment I first heard Lakes. Someone had recommended their new album The Constance LP on an internet thread dicussing Into It. Over It.

Regular readers will know that I’m a big IIOI fan. He was the first musical act that I travelled overseas to see play live. So if I hear someone comparing an act to IIOI, I’m going to check them out.

And good thing I did, because this album is fantastic. Insomuch that The Constance has become my easy pick for favourite album of 2019.

Lakes decribe themselves as “glock-rock”. Don’t let that put you off – it’s not an NSA advertisment – it’s because they have a glockenspiel. Is that significant enough to warrant naming their genre after it?

Well the glock certainly adds to their sound, placing bright accents in just the right spots. The interplay between the glockenspiel and the other percussion in “Ontario” nothing short of sublime.

To describe their sound further: it’s happy music. Sometimes relaxed, usually upbeat. They play mathrock, but the time signatures switch so subtly that you’d only pick it up if you’re listening for it. There are elements of emo, indie and pop-punk threaded through as well.

The vocal harmonies are devine. This much is obvious from the very opening notes of the album. Then we hear the chiming glockenspiel and trumpet come over the syncopated rhythms and it’s instantly clear that this is not your standard pop or rock music.

The singing is outstanding. The Bandcamp liner notes state that the vocal duties are shared between four people throughout the album, but it sounds like more voices are in there. On tracks like “Reindeer”, the singing is ernest and urgent, but for most of the record things feel pretty calm. The tender “Erie” sounds like painful memories, with sparse acoustic guitar and gently layered singing. I just love it all, from the chanted shouts of ‘Hey!’ in “Geneva” to the staccato delivery of the chorus in “Lucerne”.

I hope I’m not being too misleading here, But Lakes remind me a lot of Toe: fantastic musicianship, quirky time signatures, busy drumming that isn’t overpowering, and songs that are perfect for putting you into a great mood.

Lakes didn’t do themselves many favours when they chose their moniker. It’s not an easy name to search for. On top of this, when I’ve had friends give me a lift in their car and offer me a chance to choose the music, I haven’t been able to find Lakes on streaming services. I’ve included a songwhip link at the end of the article that you can use to find them, so they are available, but I’ve never managed to find them on a friends phone when searching for them on Spotify or Google Play when driving in the car.

This is not a criticism of the music. All of their songs are named after Lakes, so it’s an apt name. But it makes it harder for me to share and recommend their music if I don’t have a URL link handy.

It’s a hard choice, but I’d consider “Ontario” the highlight of the album, thanks to the aformentioned glock accents, the vocal hamonies, and the soaring trumpet and great drumming in the outro. Everything comes together into a georgeous package.

Lakes are worth your time. I don’t blame you if you haven’t heard of them, but there’s no more pleading ignorance now. Treat yourself to some georgously catchy and carefree music. Like I said before, Lakes were my surefire choice for best music of 2019. Check them out and see if if you agree.

Listen to The Constance LP: https://songwhip.com/album/lakes/constance


Lakes links:

Buy physical copies: https://thelpcafe.com/product/the-constance-lp-lakes/?fbclid=IwAR1_QSMl9ft39zXz8ZTc0_A5abs1GlS7b974Lnr57VFKZBoC5T5ULsXyqEI

Website: https://www.ourbandlakes.com/

Bandcamp: https://ourbandlakes.bandcamp.com/

Facebook: https://www.facebook.com/ourbandlakes/

Twitter: https://twitter.com/ourbandlakes

Instagram: https://www.instagram.com/ourbandlakes/

YouTube: https://www.youtube.com/channel/UC5TizUcJWoPu6QwTZnlsqVA

Soundcloud: https://soundcloud.com/ourbandlakes

Spotify: https://open.spotify.com/artist/3FsRoxn81LEbOBSHb60T8G

 

Joseph James

Album Review: tide/edit – All My Friends

tide/edit All My Friends cover
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Regular readers will know that I teach toddlers for a living. It’s a lot of fun, drawing pictures, digging in the sandpit, building lego, reading stories, running around, acting silly, and generally doing things that don’t really sound like “work” (although believe me – it’s not easy!)

Trying to create a fun and vibrant feeling environment is an integral part of my job. It’s easier to learn things when we feel comfortable and at ease. I enjoy finding music that can help to elevate or lower the mood of the room, depending on the need. Relaxing ambient music by the likes of Rhian Sheehan or Steve Gibbs can help settle everyone down for the chilled out times of the day. And dance parties that feature Disney tunes from soundtracks like Frozen, Lion King and Moana are daily occurrences. But my favourites are upbeat post-rock and math-rock – fun stuff like Toe, Just Neighbours, Tom’s Story and Dorena.

Filipino quartet tide/edit just got added to that list. I can’t believe that they’ve escaped my attention until now, because this is exactly the kind of music I need in my life.

All My Friends ticks all the boxes: upbeat, energetic and melodic. It’s fun and interesting without feeling too distracting.

I’m sure that any math fans will know the deal: it’s happy, tappy music that makes you feel good and want to move your body. For the longest time I thought that math-rock only featured innaccesable bands like Dillinger Escape Plan or Messhuggah, which put me off. But bands like tide/edit have taught me that exploring different time signatures doesn’t alway make a band hard to listen to, it just means that they’re too talented for their own good.

But seriously, All My Friends is a great record. As the title would suggest, it’s the soundtrack to friendship and playfullness. We hear light tapping on guitar fretboards, twinkly riffs and busy drumming, all coming together to create wonderful music. “Chronograph” transports us to electronica territory with glitches in the beat. It doesn’t matter if you’re pumped up, or feeling dreamy and vacant, this music just makes you feel good about life.

Now I know that I cover a lot of instrumental music on this site, but I must disclose that the track “White Flag” contains (cover your ears, children)… vocals! Singing? How dare they? But jokes aside, Dee Cruz’s vocal addition makes for a lovely relaxing song.

It is the start of summer here in New Zealand, which means time spent with friends, cooking on barbeques, hanging out at beaches and rivers, and making time to enjoy what life has to offer. I dare say tide/edit’s carefree tunes from All My Friends will make worthy additions to the soundtrack.

image: Karen de la Fuente

STREAMING AND PURCHASE LINKS
Digital (Bandcamp): tideedit.bandcamp.com
CD (A Spur of the Moment Project): shop.aspurofthemomentproject.com
 
SOCIAL LINKS
Joseph James

EP Review: Toe – Our Latest Number

Toe Our Latest Number EP cover
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To me, Toe are about as close as you can come to a perfect band. They are incredibly talented musicians who create great compositions that appeal to just about everyone. It’s never a bad time to listen to Toe, no matter what kind of mood you’re in. I have a funny anecdote that I shared in my Masaki Hanakata review, which involved me introducing Toe to American teenage girls at a Summer Camp I worked at, resulting in them all chanting “Toe! Toe! Toe!” until I played some of Toe’s music through tinny speakers at the campfire.

Their new EP, Our Latest Number picks up where Hear You (2015) left off. In fact, I feel that the new song “Etude of Solitude” could complete a trilogy started with the 2015 tracks “Premonition” and “A Desert of Human”, following similar sounding guitar lines. “Etude…” is my favourite track of this EP, featuring split tapped poly-rhythms, sparing yet effective use of vibraphone, splendid drumming, and possibly even sitar?

We hear light, airy songs that sound simple, but are deceptively complex. The songs are very repetitive, looping around groovy motifs that gradually evolve. Precise poly-rhythms of noodly guitars sit above concise, dry drumming, loaded with explosive energy, yet exuding chilled out vibes.

Most Toe tracks are instrumental, and when they feature vocals the singing is usually diverse and unpredictable. Hear You had male and female vocals, stunning harmonies and even rapping. By comparison, the two songs featuring singing on this EP are relatively straightforward and calm.

Thanos would love this EP because it feels so perfectly balanced. The playing is busy, but the musicians know where to leave space. The music sounds so clean and articulate due to the fact that there are very little sound effects added to the playing . Most post-rock music is saturated in distortion, reverb, delay etc… so these songs sound fresh by comparison.

That is not to say there are no effects or synthetic sounds utilised. “F_A_R” has a weird sliding sound – almost like a robotic heartbeat – at the start of the track. I first noticed it as I was walking to work a few days ago, and I thought the sound was my headphone cord rubbing against my clothes. The track continues to employ interesting sounds from synths and sequencers to add texture.

It says something about the quality of the music when you love a band so much without knowing much about them. I have no idea what they sing about on their songs that contain singing. It’s hard to keep track of what they’re up to over social media, seeing as most content I find is written in Japanese. I can’t understand what their message is, so I simply let the music talk on their behalf.

The only downside of Our Latest Number is that it is too short, last just shy of 20 minutes. And on top of that, some tracks almost feel like rehashed versions of older songs (compare the drumbeat “The Latest Number” against “You Go”, from 2009’s For Long Tomorrow). But my complacency isn’t justified – I just crave more music from this outstanding band!

This is an immaculate EP, in keeping with their previous output. Essential listening for most math-rock and post-rock fans, and I’m sure just as appealing to anyone who doesn’t usually listen to instrumental music. Just press play, and bask in the music’s genius and clarity.

Toe links:

Upcoming US tour dates:

  • September 07, 2018 – Washington, DC, US @ Black Cat
  • September 08, 2018 – Brooklyn, NY, US @ Warsaw
  • September 09, 2018 – Philadelphia, PA, US @ Union Transfer
  • September 10, 2018 – Allston, MA, US @ Brighton Music Hall
  • September 12, 2018 – Toronto, ON, Canada @ Virgin Mobile Mod Club
  • September 13, 2018 – Chicago, IL, US @ Thalia Hall
  • September 14, 2018 – Minneapolis, MN, US @ Fine Line Music Cafe
  • September 17, 2018 – Seattle, WA, US @ The Crocodile
  • September 18, 2018 – Vancouver, BC, Canada @ The Imperial
  • September 19, 2018 – Portland, OR, US @ Wonder Ballroom
  • September 20, 2018 – San Francisco, CA, US @ Great American Music Hall
  • September 21, 2018 – Los Angeles, CA, US @ Regent Theater

Joseph James

EP Review: Flicker Rate – Skylight

Flicker Rate Skylight
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17-year-old Spencer Bassett, a clearly talented guitarist and songwriter has released three EPs under the moniker Flicker Rate. Released in April 2018, Skylight EP is a non-stop showcase of clean jangly guitar work.

From the outset, my mind went to the musical DNA shared by bands like This Town Needs Guns and Long Island Sound. There is an almost jovial quality to the guitar parts as the melodies bounce along, in the same way that the pizzicato strings convey a similar emotion in Holiday for Strings by David Rose and his Orchestra (1942).

The musicianship is excellent with the production keeping the listeners focus where it should be. Elements fade in and out of focus thanks to the mix and that fills the void where one usually is expectant of vocals, but in this instance, the instrumentation does an excellent of carrying the songs. The songs, well paced, are over before the ideas become stale. In fact, the whole EP is over before you know it.

Well worth listening to if you like the instrumental math rock style or are in the mood for some light and cheery relaxation music.

Short and sweet.


Flicker Rate links:

Bandcamp: https://flickerrate.bandcamp.com/album/skylight-ep

Facebook: https://www.facebook.com/flickerrate/

Twitter: https://www.twitter.com/flickerrate/

Instagram: https://www.instagram.com/flickerratemusic/

Youtube: https://www.youtube.com/channel/UCnKvPbjUogHvNR6MHBkZAnA

This review was originally posted by Murray Stace at his site Relative Silence