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Post-Metal

Interview with Jan-Dirk Platek (We Deserve This)

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Jan Platek is a German musician best known for his solo post-rock project We Deserve This. He is widely known within the international post-rock scene due to his prolific output, strong social media presence and of course, great musical talent. As an independent artist and strong supporter of the global music scene, Platek is exactly the type of musician we want to support here at Will Not Fade. 

Following my review of Platek’s recent We Deserve This album Smile, I decided that I wanted to learn more about him. I emailed Platek at his home in Germany to ask about his various projects, and to learn more about what inspires and motivates him. It gave me great insight into a man who loves creating and consuming music on a voracious level. 

English is not Platek’s native tongue, so his replies were not all entirely grammatically accurate. I’ve decided to leave them as is however, because I think it is important to let him present his views uncensored and unadulterated. 


How are you Jan?

I`m feeling good right now, don`t know how long this feeling lasts…but thanks for asking.

What do we deserve?

We deserve pleasure, hugs and love. But maybe we also deserve bad things because of our actions. We are living in a strange decade with lots of trouble worldwide. Maybe our, and I mean the western world, behavior and actions will lead us into something really bad. If so, it’s our fault and we deserve it.

You clearly love photography. A lot of your album art features photos that you have taken. Do you plan to use photos for your music when you take them?

I`m starting with photography back in early 2015. My wife Karo is a really good photographer so she taught me the basics of a camera. After that I bought my first Fuji Camera. At first, it was difficult to understand all the settings but after I figured it out it was really great. I love taking photos, it`s like living in another world. It`s almost like being a child with a funny toy (the camera). And you know, I love playing…It´s almost like producing music, the same procedure. First you take a raw picture and after it you edit the photo on the computer. Editing photos is like mixing/mastering an audio track. Sometimes I take photos because I can imagine them as a cover artwork for my music. But mostly I find edited pics on my laptop thinking “that would be an awesome artwork“.

 Jan-Dirk Platek (We Deserve This)

I see themes of nature and geometry throughout your album art. Is this deliberate?

Yeah I think so…geometry is a part of our nature. Have you ever seen a little snowflake with its tiny, geometric structures? It`s amazing. I think geometry is a part of our life.

I saw that you were fairly outspoken in response to Easter recently. Do you think that instrumental music can be (or should be) political?

That was on my private account and not on any of my pages on Facebook. Music is not a good tool to transport political views. It`s not my business to tell people political views. I`m pro gay, pro refugees, pro nature – more left-wing than right-wing. I don’t believe in god or in any religion. But does my views really count? Does anyone care about what Jan Platek thinks or believes? I don`t think so. I`m just a musician who wants to create music.

Is there meaning behind the eye with the teardrop logo? Do you ever try writing upbeat or cheerful music?

Yes, there is a meaning in the logo…but I don`t want to tell you which meaning. It`s my secret.

And yes, I often tried to write upbeat and cheerful music but I always failed. There are maybe five or six songs that I never released.These songs sound like Pennywise or Bad Religion with a little Billy Talent touch…I`m not sure if I will ever release these tracks. I think that vocals would make the songs huge but I`m a really bad singer….

Can you discuss the strengths and weaknesses of being a one-man band.

Hmm, I don`t know. I played in three or four bands as a drummer when I was in my 20`s. It was always a pain in the a** how the creation process worked. So lazy and slow. I think a band is a democratic institution with different interest. It takes a lot of time to create something. Being a one-man band is a lot faster. No one tells me “you have to play the guitar like this“ or “make a drum fill here“. I`m my own dictator. That makes everything much easier.

Some of your tracks are live recordings. Do you prefer live performance or studio work?

That`s a good question. I think I like live performances a little bit more than studio work. It`s a really great feeling to see how the crowd reacts even if they don`t know a single song. Studio work is a lonely thing. Working at night on my songs in the studio space is sometimes depressing. I`m alone with a lot of recorded stems and sometimes I want to talk to someone. I often would like to ask someone if the guitar or the bass is loud enough in the mix. But that`s my own choice, I`m a loner.

I know that you buy a lot of vinyl records, purchase albums on Bandcamp and stream music on Spotify. What medium do you use to listen to most of your music?

CD and the Bandcamp app on my iPhone. I have a Spotify account but that account is mostly for my 7-year-old daughter. She listens to Top 10 Charts Hits most of the time…I`m a vinyl collector, that´s true. But you need time to listen to vinyl in its entirety. I have two little kids so there is not much time to enjoy Vinyl records. Family life is wonderful but also sometimes very hectic.

You have two main projects: We Deserve This and Jan-Dirk Platek. Do you approach each project with different mindsets? I understand that the self-titled work focuses more on ambiance and texture.

My solo work is more piano based stuff with lots of electronics. There are no guitars on these songs. It`s more layed back ambient stuff…WE DESERVE THIS is for the Post-Rock heart that`s beating in me. I love to play the guitar and smash the cymbals on my Tama drum set.

You recently released Convex, which you consider your first strictly ambient album. What prompted this?

I discovered ambient music a little while ago and I really love it. Artist like 36, Tale Of Us or Leandro Fresco really blew me away. At that time I also listened to modern classical stuff. It looks like I´m tired of listening to loud rock music. I need the quiet moments right now. So I thought it would fit perfectly to try an ambient album. The strangest thing is, that I`m really overwhelmed by Convex. I usually don`t listen to my own music after its release date. But Convex is another thing…I play it very often right now. Maybe this is because it`s a complete new direction in my work. I don`t know…

You are incredibly prolific. Why do you drip-feed so many unique singles, as opposed to cultivating albums like most musicians?

I don`t know. Maybe that´s because I`m a child of the 80`s. Back in the days we all bought vinyl 7“ singles with only one or two tracks on it. It was fashion. I feel like a 80`s boy without the hair right now…hahaha.

You make lots of your music available for free. What is your motivation for giving away your music?

I think that my music must be available for everyone for a low price or for free. I want to spread my work as wide as possible. I have a normal day job and I don`t need my music to pay the bills. I just want to spread my creations. That`s it. Some people love this – other people hate the high amount of releases. I don`t care, producing music is like breathing for me and I like to give the people lots of fresh air.

 Jan-Dirk Platek (We Deserve This)

You are signed to Fluttery Records, but release a lot of your work independently through Bandcamp. What arrangement do you have with Fluttery?

I can release albums on Fluttery Records and I also can release Singles/Ep`s/Albums on my own Bandcamp. That`s the deal and Fluttery Records is so kind to let me do my thing. Fluttery Records is the best label for Post-Rock and Ambient music right know. They really love what they`re doing. Most important: There are so many talented artists on that label.

You’ve also just signed to Russian label GS Productions. Why so many record labels?

GS Productions signed Jan-Dirk Platek and Fluttery Records signed We Deserve This. I guess my Jan-Dirk Platek stuff is too “electronic“ for Fluttery Records. I also never asked Fluttery Records to release my “solo“ stuff….

You are one of the top-selling artists on Bandcamp within the postrock genre. Why do you think you have become so successful?

I don`t think that I´m a top-selling artist but a lot of people are listening to We Deserve This. I don`t know how I have become “successful“. Maybe I know how to spam the social networks…like sharing links of my music in different groups and promoting my music links through Twitter and Instagram. I think social networking is the best tool to reach new fans. I also must admit that I only use these social networks for music. Exploring new artists, getting in contact with other artists and listening to new music. That`s the only reason to spend time on social networks: Music.

Your grandfather taught you to play music. What does he think of your music?

He died long before my first release came out. But I guess he would be very proud.

What is your main instrument? I know that you started out as a drummer.

My main instrument is the drum set. But I will take piano lessons this summer. I really love to play piano but I think I need to learn to play it perfectly.

 Jan-Dirk Platek (We Deserve This)

Do you ever feel tempted to go back to using vocals or samples?

Hmm, I`m searching for a female vocalist but it`s hard to find her. If you know someone, please get in touch…

You’ve had a few collaborations over the years. Talk me through how you go about writing with other musicians. Do you meet up with them or use the internet?

Mostly everything is created by using the internet. Up next is a collaboration with the Synth-Wave Artist ADAM FORD. This guy from Italy is so kind, good and talented. I feel honored that he asked me to play on two of his songs. They will appear on his upcoming album Dreamscape. It`s a wonderful synthwave or vaporwave album that sounds simply awesome. I really like collaborations and I think I have to do more in that way. It feels good to be a part of someone`s creations.

You are incredibly supportive of the global post-rock scene. I know members of local bands here in New Zealand who have told me that you bought their records. How do you go about discovering new music?

Mostly on social networks like Facebook or Twitter. There are so many people, bloggers (like you) or artists out there and they keep sharing their favorite stuff. Bandcamp is also one of my favorite sources to discover new artists.

What else have you got planned for We Deserve This?

I guess another ambient release. The response regarding Convex is amazing. I reached many new listeners and lost some post-rockers. I love how ambient music slowed down my heartbeat down while creating Convex. Sounds strange but it felt like I`m in another world. Also, there are currently plans to play live in 2017. Not a tour but a small amount of gigs here in Germany. Last but not least: Thanks for the interview, Will Not Fade is also a good source to explore new artists. Thanks for supporting the underground music scene.


We Deserve This and Jan Platek links:

Bandcamp: https://wedeservethis.bandcamp.com/

Facebook: https://www.facebook.com/wedeservethisband/

Twitter: https://twitter.com/wdtband

Soundcloud: https://soundcloud.com/we-deserve-this

Tumblr: http://wedeservethis.tumblr.com/

Jan-Dirk Platek Bandcamp: https://jan-dirkplatek.bandcamp.com/releases

Jan-Dirk Platek Facebook: https://www.facebook.com/jandirkplatekmusic/

Jan-Dirk Platek Twitter: https://twitter.com/jan_platek

 

Joseph James

  • Date April 21, 2017
  • Author Joseph James
  • Tags Ambient, Fluttery Records, Germany, GS Productions, Instrumental, Jan Platek, Post-Metal, Post-Rock, We Deserve This
  • Comments Leave a comment

EP Review: Flicker Rate – Reframe EP

Flicker Rate Reframe Ep Cover Art
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There’s no shortage of talent when you scroll through the artists that submit their work for review here at Will Not Fade, and Spencer Bassett is no exception. At just 17, Bassett has already released 2 solo post-rock EPs under the name Flicker Rate – a project that encompasses instrumental styles like post-rock, prog and math rock.

One doesn’t need to look far to see where Bassett got his talent from. His father is John Bassett, known for his music released under the guise of Arcade Messiah, KingBathmat and his own name. Bassett Sr. played a part in this album too, co-producing with his son, and take on the roles of mixer and masterer.

But it wouldn’t be fair to judge Spencer’s work under his father’s shadow, so I’ll discuss the Reframe EP on its own merits.

Spencer Bassett Flicker RateTo begin with, Reframe is a step up from the eponymous first EP. Although this first EP was a strong début, I disliked the dissonant tones and overt glitches used in the track “Evident”. By comparison, Reframe sounds crisp and clean.

Title track “Reframe” featured strong confident drumming, with guitar lines layering over the top progressively. The clean guitar picking is a nice change from the crescendocore wash that gets overused in post-rock.

Following track “Summit” isn’t so much clean, per say, with its heavy distortion and washing cymbals. But the guitar lines still stand out. The clarity helps Spencer to show off his technical abilities, choosing to place his talents at the forefront, and not hidden behind effect pedals and muddy distortion.

My highlight on the EP is “Spectrum”. It takes me into a happy place, like most of the upbeat math rock I’ve recently fallen in love with. I need more music like this in my life, and I’m happy to take recommendations of any music that captures the sound of joy as well as this song.

If Spencer Bassett is able to write and release two quality EPs of this calibre as a teenager, then imagine the potential recordings he will release in the future! Reframe is brilliantly written, recorded and mixed. The crisp recordings and avoidance of post-rock clichés has made this a refreshing EP worth checking out.


Flicker Rate Links

Bandcamp: https://flickerrate.bandcamp.com/album/reframe-ep

Facebook: https://www.facebook.com/flickerrate/

Twitter: https://www.twitter.com/flickerrate/

Instagram: https://www.instagram.com/flickerrate/

Youtube: https://www.youtube.com/channel/UCnKvPbjUogHvNR6MHBkZAnA

 

Joseph James

  • Date March 10, 2017
  • Author Joseph James
  • Tags Ambient, Djent, Flicker Rate, Ireland, John Bassett, Math Rock, Post-Metal, Post-Rock, Reframe, Sligo, Spencer Bassett, Stereohead Records
  • Comments Leave a comment

Album Review: We Deserve This – Smile

We Deserve This Smile Cover
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Jan Platek is a busy man.

I subscribed to his We Deserve This Bandcamp page last year, which gave me access to hundreds of recordings and releases – a veritable treasure trove of post-rock music waiting to be listened to. But Platek decided that these offerings were not enough. The people need more! So he created another project, going by his own name. And as if the two solo projects on Bandcamp weren’t adequate, he also releases an album through Fluttery Records from time to time.

I have over 14 hours worth of his material on my computer. Just let that sink in… He has recorded and released over 14 hours worth of material over a four-year period. And that isn’t counting side projects.

Like I said: Jan Platek is a busy man.

Smile is his latest release, out via Fluttery Records on February 24.

So how does Smile weigh up compared to the rest of his output?

Well, it’s good. It’s very recognisably a We Deserve This release. You know – brilliant post-rock that treads a balance so well between being heavy and ambient. You can rock out to it by blasting it loudly from your stereo, but could just as easily use it as relaxing background music. The album description blurb lists influences from both 90’s rock music and post-rock and post-metal genres.

It is evident that Smile had a lot of time invested into it. There are many layers and textures and melodies all linked in so masterfully. This doesn’t sound exceptional, but bear in mind that this isn’t something that just came out of the woodwork at band practice. Platek recorded this all himself, so would have spent countless hours working on each song until he felt it was perfect.

I have to award bonus marks for talent. I love how modern technology has enabled so many musicians to become the new Mike Oldfield by releasing music that they have single-handedly recorded all the instruments on. [For other examples see: Cloudkicker, Lights & Motion, Oscillate, Barouche, 10 Waves of You, Gregory Tan]. Platek’s grandfather was a music teacher, which gave Platek a good grounding with a variety of instruments. This formative education, combined with a love of music and a drive to constantly push his creative tendencies has helped Platek to refine his craft. And did I mention that he’s prolific? When you have this much practice then your music better be damn good!

To be honest, I don’t think I can rank this against other We Deserve This releases. This is not a criticism of Smile, but more of a reflection of how well I know the We Deserve This catalogue. I think you’ll forgive me for confessing that it’s hard to get to know 14 hours worth of material.  I guess the risk with being so prolific is that each release struggles to stand out from within the pool of other material.

Platek loves to release singles and EP’s, so this release is uncommon for him, ringing in at 27 minutes over six tracks. So that’s one thing that Smile boasts to stand out from the rest of the collection: it’s a cohesive album that lasts long enough to sink your teeth into.

If you’re unfamiliar with We Deserve This, then you may as well use Smile as a start point. And once you’ve digested that, than you’re ready to spend a very long time discovering a lot more where that came from.


You can buy Smile from Fluttery Records here: https://we-deserve-this.bandcamp.com/releases

We Deserve This links:

Bandcamp: https://wedeservethis.bandcamp.com/

Facebook: https://www.facebook.com/wedeservethisband/

Twitter: https://twitter.com/wdtband

Soundcloud: https://soundcloud.com/we-deserve-this

Tumblr: http://wedeservethis.tumblr.com/

Jan-Dirk Platek Bandcamp (side-project): https://jan-dirkplatek.bandcamp.com/releases

 

Joseph James

  • Date February 22, 2017
  • Author Joseph James
  • Tags Ambient, Fluttery Records, Germany, Instrumental, Jan Platek, Post-Metal, Post-Rock, Smile, We Deserve This
  • Comments 1 Comment

Album Review: Into Orbit – Unearthing

Into Orbit Unearthing
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Wellington two-piece Into Orbit have been making waves over the past few years. Since debuting Caverns in 2014, the two have played shows all around the country alongside other brilliant acts, slowly building up their profile as a musical force to be reckoned with.

Unearthing is their second album. We’ve had tastes of what to expect with first two singles “Gilgamesh” and “Dark Matter”, so have known what to expect.

Into Orbit Paul Stewart guitar

Paul Stewart playing at San Fran. Image: Will Not Fade

The Into Orbit I’m used to plays crushingly heavy atmospheric music. The sound seems too full to come from just two players, but they pull off these textures by using dense layering.

I see them as post-rock’s answer to Cairo Knife Fight. Paul Stewart lays down layers upon layers of guitar sounds to achieve complex aural textures. It’s hard to believe that waves of ambient wash, extraterrestrial squeals, filthy crunchy chugging riffs, droning distorted passages and sections of exact picking all come from just one man. Ian Moir batters the drums half to death, using his deft skills to pummel the skins into submission. Into Orbit prove that they are greater than the sum of their parts, providing soundscapes I would never thought possible coming from just two players.

‘Dark Matter’ sets the mood for the album. The guitar is played percussively by lightly banging the strings before another layer of swells are added. Repetitive drums comes in. This continues for a few bars THEN BAM! chugging riff-tastic goodness! Part drone, part metal, bordering on djent. It’s what we’ve come for!

Lead single and album closer ‘Gilgamesh‘ follows similar suit, with other-worldly guitar tones setting an ominous vibe before Moir’s busy drums contribute to the act of summoning God-knows-what to the altar of doom. It’s slower than ‘Dark Matter’, but just as heavy.

I’m not doing the music justice with these descriptions. It’s not all doom and gloom. For example, ‘Equilibrium’ offers us a peek at the lighter end of the spectrum. It’s the sound of hope rather than impending oblivion. . .well for the first few minutes anyway. Title track ‘Unearthing’, (which was previewed on the Hemispheres compilation a few weeks ago) starts in a similar way, with more focus on treble than distortion.

Buuuut, the heavy songs are just more fun. Moir is a demon who really knows how to dominate those drums. Stewart can command control over the full spectrum of sound with his six strings and many pedals, but nothing beats a good ol’ moshable breakdown.

Something that surprised me about Unearthing was the variety of emotions explored. I guess that I was just expecting an album’s worth of crushing instrumental metal along the lines of the first two singles. I was mistaken. Yes, Unearthing will generously offer you head banging opportunities, but the duo will also lead you down other aural avenues that are just as interesting.

The hard work, constant playing and hard promotion appears to have paid off. Into Orbit have already made a name for themselves, and Unearthing will only help to cement the two of them as players to take note of.

Into Orbit Ian Moir on Drums

Ian Moir on drums. Image: Will Not Fade


Unearthing Vinyl Pressing

Into Orbit are raising money to pay for a vinyl pressing of Unearthing. If you would like to help them do this you can visit their Pledgemusic page to preorder the record. There are other options as well, like buying tshirts, and artwork.

Album Release Show At San Fran

Into Orbit are playing their Unearthing release show this Friday at San Fran, with support from His Masters Voice. At only $11 (booked online), you’d be foolish to miss it!

Facebook event page: https://www.facebook.com/events/998743256935865/

Tickets: http://www.undertheradar.co.nz/ticket/6198/Into-Orbit—-Unearthing-Album-Relase.utr


Into Orbit Links:

Website: http://www.intoorbit.co.nz/

Bandcamp: https://intoorbit.bandcamp.com/

Facebook: https://www.facebook.com/intoorbit/

Twitter: https://twitter.com/intoorbit

Soundcloud: https://soundcloud.com/intoorbit

Pledgemusic: https://artists.pledgemusic.com/projects/intoorbit

 

Joseph James

  • Date February 8, 2017
  • Author Joseph James
  • Tags Instrumental, Into Orbit, Post-Metal, post-rock, Twopiece, Unearthing, Wellington
  • Comments 1 Comment

Hemispheres – A Free Post-Rock Compilation From A Thousand Arms

Hemispheres A Thousand Arms Volume 1 Post Rock Compilation Album Cover
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Hemispheres

A Thousand Arms have released another great new free post-rock compilation Hemispheres, to follow on from the awesome Open Language compilation released last year.

Open Language was split into two parts, with Side A representing American acts, and Side B featuring international artists.

Hemispheres follows this theme, with Side A representing the Northern Hemisphere, and Side B representing the Southern Hemisphere.

I’m quite excited to see a few New Zealand acts represented on Side B (Kerretta, Sora Shima and Into Orbit). Not a bad selection to showcase our homegrown talent to the rest of the world!


Here’s the track listing:

Side A: Northern Hemisphere

Old Solar – Summer Solstice

RLYR – Slipstream Summer

Au Revoir – Reverie

Eupana – The Night the Stars Fell

The Great Cold – EOS

Malämmar – I

Of the Vine – I’m Morrissey, I’m Dead.

Spurv – Passacaglia (fugler med ord i nebbet)

Sleeping Bear – Emerged

Mountain – Mondo Kane

Glories – Bravo Sierra

Ranges – Kingdom

Caspian – Sad Heart of Mine

Appalaches – Milsai

Dayluta Means Kindness – Young Savagery and General Debauchery

Shy, Low – Anomic

Sad Turtle – Feats Of Strength

Atsuko Chiba – Damonsta Titillates

Side B: Southern Hemisphere

Build and Release – St Helen pt. 2

Meniscus – Overhang

Antorchas – Stalingrado Fosa Comun

Hélices – BrvdxTripp

Kjjjjjjjjj – Grrrrrrrrr

Kerretta – Ossein Trail

Under The Big Bright Yellow Sun – BERTAHAN *Angelic Version (Jeruji Cover)

Mesozoic – The Turtle

El lenguaje como obstáculo – Adonis Minos

Hashshashin – Levitation

Fourteen Nights At Sea – No Capital

Sora Shima – And Behold a Pale Horse

We Set Sail – Forgotten Shores

Kalouv – Da Bravura, Inocência

Into Orbit – Unearthing

Hello Porkins – Melon Felon

blienvesne – Definitivamente ellos no son los dueños del viento

Bear the Mammoth – Molly


CJ and David have once again outdone themselves with this collection. 36 great tracks from all over the world, lovingly chosen and presented in a great wee package.

So head along to https://athousandarms.bandcamp.com/ to download Hemispheres and discover your next favourite new band!

 

Joseph James

  • Date January 20, 2017
  • Author Joseph James
  • Tags A Thousand Arms, Ambient, CJ Blessum, Compilation, David Zeidler, Hemispheres, Instrumental, Post-Metal, Post-Rock
  • Comments 1 Comment

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