Album Review: Klone – Unplugged (Live Acoustic Album)

Klone Unplugged Album Cover
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Hailing from France, Klone are a prog rock band signed with Pelagic-records. They have released an acoustic album Unplugged, acting as a pseudo greatest-hits. Sourced from their previous two albums, the songs stripped bare and performed acoustically take on a new life. Throw in a fantastic Depeche Mode cover of “People are People” and you have a curious proposition.

The songs were recorded live at Théâtre de La Coupe d’Or, with two exceptions recorded in the studio. They offer an opportunity to hear musicians with nowhere to hide.

I’d not heard Klone before writing this review, now based on the singer’s voice alone I want to hear more. This is not the first time a rock artist has taken their music and stripped away the bells and whistles to leave the pure songwriting on display.

The first artist that springs to mind for me is Alice in Chains with their infamous Live on MTV album and video. It shows a band ravaged by drug abuse, yet still capable of incredible art. The songs usually associated with distorted guitars and walls of noise become more delicate and nuanced and take on a new life.

Wow. That cover of “People are People” is good.

The stock footage video that they’ve cobbled together fits well with the musical content. Depeche Mode seem to be a consistent thread amongst bands that I like. One of those hidden influences woven into sounds of music that has taken the next step down that sonic road. From In Flames covering “Everything Counts”; Mike Shinoda‘s (Linkin Park) excellent remix of “Enjoy the Silence”; A Perfect Circle‘s and now Klone‘s cover of “People are People”. Each version demonstrates what people take from the band and how they honour it in their own style. Those covers listed above are so vastly different, yet they all honour the same band. It’s brilliant.

If there is one thing I could criticise about this release, is the lack of backing vocals. As powerful and beautiful as the singer’s voice is – it’s hard not to imagine it being better with harmonies or other voices to play off. I’m not expecting The Beach Boys levels of vocal harmonies, but something to add another dimension to what is a very solid vocal performance.

The musicianship receives top marks, there is nothing that stands out as distracting from the song. Not having heard Klone in “Rock mode” I’m now curious how the songs will translate. No doubt for fans of the band they will have the same nerves about hearing their favourite tracks done acoustically.

Well worth a listen, it’s a great low-key soundtrack for a weekend.

Klone Unplugged Review Promo Pic


Klone’s new album Unplugged is due out on Pelagic Records on February 17 2017

Links:
Official: http://www.klonosphere.com/klone
Facebook: http://www.facebook.com/kloneband
Soundcloud: http://www.soundcloud.com/kloneofficial
Label: http://www.pelagic-records.com

This review was originally posted by Murray Stace at his site Relative Silence

Live Review: Alexisonfire at The Powerstation, Auckland

Alexisonfire Powerstation Auckland
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Alexisonfire

w/ Barracks

Powerstation, Auckland

Monday 23 January 2016

You’d think that with the amount of trouble I get into, I’d have learnt by now not to underestimate my ability to get lost in another city. But unfortunately I still find myself in situations like that today, in which I managed to get stranded on an island.

After an exciting day of exploring old army bunkers on Waiheke Island, I found the winding roads too hard to navigate, and managed to narrowly miss the ferry I needed to catch back to Auckland in time for the gig.

Sadly opening act Barracks had long finished their set by the time I got to the Powerstation, and Alexisonfire were already half way through their second song as I entered the venue.

I was kicking myself for showing up so late, but my excitement meant that I was soon caught up in the moment and forgot about the stress of trying to get there earlier. I’d been looking forward to this show for many months, and after an eventful drive up from Wellington I was finally here – albeit slightly late.

Alexisonfire are five piece post-hardcore act from Ontario, Canada. They released four albums between 2002-2009. One point of difference they boast is that they have three singers: George Pettit fronts the band on unclean vocals, Dallas Green sings clean vocals as well as playing guitar and piano, and Wade McNeil provides backing vocals whilst also playing guitar. In 2012 the band disbanded, with each singer going on to front other projects.

The Powerstation was well packed for a Monday night, with a generous turnout to see the newly reformed Canadians back in action. Here was a band that was most relevant a decade ago, but could still attract a decent audience on a work night.

And after seeing them play, I could see why. This was one of the more intense shows I’d been to in a while. The driving drums, high energy riffs and powerful roars all blended together to create a visceral experience.  I’m surprised that the mosh pit wasn’t more wild, between the music, Pettit shouting at us to “Fuck this place up” and McNeil telling us to punch Nazis in the face.

To be honest they could have said just about anything and the crowd would have lapped it up. People even tolerated  Green’s request for us to sing “Happy Birthday” to one of the roadies. In fact, if I remember correctly, he also asked us to sing “Happy Birthday” to his guitarist when City And Colour last played in Wellington as well. In my experience this seldom goes down well when a musician pulls this. But everyone was having a good time. People cheered when the band announced that the venue was a safe and tolerant space. People cheered when they heard that former local act The Bleeders lived near the band in Canada. People cheered when Pettit said he could see us all clearly after having had laser eye surgery.

The band covered a great cross section material, with tracks pulled from all four albums – predominantly 2006’s Crisis – and even the title track from their 2010 Dog’s Blood EP.

It was a dynamic set. The band ripped through popular hits and offered an all-out assault at first, but towards the end of the set they changed it up by introducing meandering instrumental sections and tender sing along moments. Encoring with some songs from the older two albums was met with favour, with many people noticeably running to the front to get closer during their old-time favourites.

Although the band’s punk pedigree was a big draw card, their slow burners and more melodic moments stood out. Green has enjoyed a fine career with his solo side project City and Colour, which is more folk/singer-songwriter styled. His strengths lie in vocal melodies and this was more than evident tonight, with his voice being far louder in the mix than the others. His voice is fantastic, and although he strained at times, his singing sections provided standout singalongs that brought balance to George and Wade’s double teamed shouting.

It was a brilliant gig. Varied, dynamic, and featuring all the expected hits. The band not only played their songs, but they put on a show. Nostalgia for well-written old songs were enough to draw the punters in, and excellent delivery kept them wanting more.

 

Joseph James

An Ode To An Important Local Venue: Bar Bodega

Bodega Wellington
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Bodega

Bar Bodega hosts some of my most revered memories.

Florida punks Against Me! played there back in 2011, back when their front man was still a man. Sweat dripped from the ceilings as the crammed-in crowd tussled, swayed and shouted along to the songs. There were stage dives aplenty, but not many came off the stage. My friend Steve and I took turns boosting each other up. We cupped our hands near our knees for the other person to step onto and launch off.

I remember my first time witnessing a Guitar Wolf show. I’d seen Foo Fighters play in Auckland the night beforehand, and struggle to decide which band put on the better performance. Guitar Wolf were almost cartoonish – Japanese rockers fully buying into the stereotypes. They preferred to suffer under intense heat rather than ditch their leather jackets and sunglasses. There was thumb wrestling, human pyramids, and a LOT of noise. The music wasn’t that good, but never mind that, it was about the overall experience.

Cody ChessnuTT blessed us with his smooth, soulful R&B beats on the night of his 40th birthday. I had been awake for roughly 36 hours trying to juggle university assignments around work, but as exhausted as I was, it was worth staying awake late into that Monday night.

I’ve marvelled at my favourite singer Frank Turner as he spread the folk punk gospel from his pulpit, and was inducted into some other-worldly ritual when Killing Joke tried to set off the apocalypse from the stage.

Locals and internationals; punks, rockers, soul-singers, blues-players, beat-layers, rappers, wailers and crooners have all graced the stage, amongst many others. Look around the bar and you will see many records, photos, posters and backstage passes that lay testament to the many musical memories that still linger within the venue. Furthermore are the memories of first bar, from its original site on Willis Street 25 years ago.

Bodega has now followed the likes of Mighty Mighty, James Cabaret, and Puppies by closing up shop. May the memories remain long after the doors have shut.

 

Joseph James

Will Not Fade’s Guide To Surviving A Music Festival

Will Not Fade Guide Festival Survival Guide Wristbands Timetables Tickets
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Festival Season

It’s summer in New Zealand. New Years celebrations are mere days away, which will soon be followed by regional anniversary days and Waitangi Day. And those holidays come on top of any time off many of us have around the Christmas/New Year period.

Just as the warm summer evenings usher in a time of barbecues and backyard cricket, they also signal the start of festival season.

It has been a fickle time for promoters in recent years. Many festivals I cut my teeth on sadly no longer exist, such as Parachute at Mystery Creek, and Big Day Out. This year saw the cancellation of Westfest (due to the cancellation of the Australian festival Soundwave which it had piggybacked off) and the McLaren Falls/Echo festival. There will be no Auckland City Limits next year either.

All is not lost however, with staples such as Rhythm and Vines/Alps, Laneway, WOMAD, Homegrown, Raggamuffin, Splore, and some new entries like Bay Dreams and One Love offering a variety of genres and locations to appeal to all tastes.

So to help you to have the best festival experience possible, here are some tips for surviving festivals.

Wear Earplugs

Your poor ears get enough of a hard time as it is. Wearing earplugs is a super easy way to protect them, and believe it or not, actually makes the music sound better. It does this by cutting out the higher frequencies that cause hearing damage. Ok, so some of the foam plugs won’t make things sound optimal, but take my word for it when I say that I never go to a live music gig without my earplugs. I use these and they are well worth the money. Go for the attenuating type for best sound quality that still protects. They’ll be more comfortable than foam plugs after a full day’s use too.

Stay hydrated.

It’s summer. It’s hot. Being packed into a venue with hundreds of other sweaty concertgoers makes it even hotter. Do yourself a favour and have plenty of water throughout the day. And increase that amount if you’re having alcohol as well. Because you’re going to be kicking yourself later if you spent $150 on that ticket just to hang out in the paramedics tent for most of the day.

Be prepared for the weather.

I got sunburnt so badly at Big Day Out 2011 that I was still peeling a few weeks later. But the weather changed halfway throughout the day and got cold and damp. Suddenly everyone in singlets couldn’t cope and the crowd noticeably thinned well before many of the headliners played.

If you’re attending a fest with any outdoor stages I recommend buying a $2 rain poncho. It’s cheap and small enough to fit in your pocket, so no harm done if you don’t need it. But you’ll be glad you have it if the weather starts to turn.

It’s more likely to be a scorcher over the summer months, so slip, slop, slap and wrap to avoid looking like a beetroot for the following week. And as tempting as it is to take your nicest gear, think about taking a hat and some sunnies that you won’t miss so much if they get lost in the mosh pit.

On that note, jandals may be great for summer, but don’t protect your toes from getting trampled on by the people dancing near you!

Figure Out Your Schedule

The worst thing about festivals is that often the best bands clash. Have a look at the timetable beforehand to plan which stages you need to be at and when. Sometimes this means deciding between watching a full set of one band, or catching half sets for two bands.

Bear in mind that often stages have limited capacity, so get there early if there is an act that you are desperate to see.

Take some cash.

Many festivals won’t let you take your own food or drink in, even if it’s just water in a clear, sealed bottle. Once you’re inside they’ll charge you the earth for food and drink because you have no other option. My advice is buy the biggest bottle possible at the start of the day and keep refilling it at a tap.

And take cash. It can be faster and more reliable than eftpos.

Have a contingency plan

I once lost my mate at Big Day Out. We were both at Rise Against’s set to start with. He decided to leave early to secure a good spot to see Muse later on, while I stayed on. The crowd was so wild that I swear I was sideways for most of the set. After the band had finished I reached into my pocket to text my friend, only to find that I had lost my phone. Luckily I had his home phone number written on a card along with other emergencies contacts that I kept in my wallet. After some panicked moments of stressing I managed to find a phone I could use and rang his mum, who in turn messaged him to meet me at an appointed spot.

What I learnt from that situation was that it pays to establish a meet up point at the start of the day, so that you can find your friends if you get separated.  It also pays to carry some spare cash and have a list of emergency phone numbers with you.

Charge your phone. 

 

So you can contact friends. But also keep it in your pocket when you don’t need it. You came to watch bands play live, not through a screen.

Avoid The Queues

This tip depends upon how desperate you are for overpriced beer. I tend not to drink alcohol at most gigs, so am happy to line up for an under-18 wristband if it’s an option, or chose not to line up for the extra over-18 band if that is required. I don’t find it embarrassing and it usually means that I get to watch an extra hour of music, compared to those who deciding to spend their time queuing for a wristband (not to mention the additional time queuing up for drinks!)

Another way to miss the queues is by showing up late, but that means you will miss the acts playing at the start of the day.

Have fun!

Have fun! Check out a band you haven’t heard of before! Get your boogie on! Soak it all in!

[on an unrelated note, the gif above of the crazy frog bro looks so much like I did when I was a kid. It’s uncanny!]

Here’s a link to a cool web comic by Toby Morris which sums up this last point well.


Is there anything we forgot? Feel free to comment below and offer your own tips!