It’s the type of morning that only a place like Karori can put on. It’s cold. Not cold enough that I can see my breath, but certainly enough to warrant a few extra layers of clothing. Everything is grey. Between the concrete roads, the overcast skies and the dense fog, there is little colour to be seen as I walk to work. But the music I’m listening to keeps me in good spirits.
I’ll discuss the music in a minute, but first I’ll tell you a story to give you context.
When I first met Hamish Dobbie seven years ago his favourite band was Dream Theater. We tried to form a band together at one point, but nothing eventuated from it. Later on down the track he joined some of our mutual friends as bass player for their hardcore band Declaration AD [My review of Declaration AD opening for Bangs is one of my favourite things I’ve ever written]. This was then followed by a string of other hardcore/metal projects, making Dobbie one of the busiest people in the local scene for a year or two.
But now he has tried his hand at a different style.
It’s almost clichéd – going from hardcore to acoustic. Dave Baxter from The Chase started Avalanche City. Dallas Green from Alexisonfire started City and Colour. Derek Archambault from Defeater started Alcoa. And then we have the many punk singers who feature on the Revival Tour: Frank Turner, Chuck Ragan, Jon Snodgrass, Dave Hause etc…
And Hamish Dobbie from the local hardcore scene started Far From Here.
His first release is a five track EP called The Loss – poignant pop music with a dash of electronica dance beats.
The EP has been a few years in the making. Dobbie started working as a youth worker in his last year at university, and recently switched to work in the mental health sector. Not easy jobs by any means.The Loss was written in the midst of inner turmoil, and as an attempt to put a language to the experience of suffering.
And rather than writing music in the vein of Terror and Advent, he turned to other musical influences like Broods, JOY, Bon Iver, and Imogen Heap.
It makes for nice listening. The titular opening track sets a tone of mourning through use of guitar and delay, not unlike something Explosions In The Sky would do. A dance beat slowly emerges before everything cuts out. It’s a delicate balance – the sad guitars and the uptempo beat – and although the two elements shouldn’t work together on paper, they somehow create something compelling radiates hope. Just as it seems to gain momentum, the song ends. I wish it was longer.
Two things can be learnt from this first song: first, Dobbie does dynamics well. And secondly, he absolutely nails the guitar tones on this EP.
Despite his best efforts, Dobbie is not the strongest singer. Nor does he pretend that he is. He recruits two friends to help him out in that department. Andy Hockey tackles a verse in “Distance”, and does well to mirror Dobbie’s aching. And Mimi Gilbert features in “I’ve Failed You”. Gilbert’s voice is a showstopper. She recorded it from her home studio in Portland, Oregon, and it took her less than an hour to record all her takes for that song. The vocal harmonies at the end of that track are my highlight of the EP.
If stunning guitar tone paired with Postal Service-esque beats sounds appealing to you, then give Far From Here a listen. If that doesn’t sell it to you, how does incredible vocal harmonies, sublime moodiness and brilliant production sound?
I can think of nothing better on a bleak, foggy morning like this.
Far From Here links: