Steel Panther
w/ Garage Boys and Bakers Dozen
Las Vegas House of Blues
Friday 25 August 2017
Baker’s Dozen
Garage Boys
Steel Panther
All photos by Joseph James
All photos by Joseph James
Brighton crew Chalk Hands are newcomers in the scene, channeling the likes of Pianos Become The Teeth, Caspian and Envy to offer two songs in a mixed screamo/post-rock style on their début release, Burrows & Other Hideouts.
First song “Burrows” commences with a solemn, softly picked guitar passage, before transforming into a monster. It’s a blistering, furious ode to paranoia and deception, with heavy passages alternating against instrumental segments. The instrumental parts provide breathing room, a break from the anger. But strong emotions dominate the entire way through.
Likewise, “Arms” kicks off strong, offering intense catharsis. It’s a sombre affair. Gang vocals deliver the line “weakness is no curse”, but self-doubt still rings through.
The intense style of music draws strong comparison to modern hardcore acts like Octaves and Defeater, with instrumental post-rock elements breaking up the songs, similar to Winters Dust. The energetic delivery makes the songs seem short. They are fast paced with busy drumming, but the songs both last longer than your average hardcore jam.
Following the idiom of quality over quantity, Chalk Hands offer a short, furious taster of things to come in the vein of many other modern hardcore acts, yet stand out enough to avoid becoming clichéd.
Burrows & Other Hideouts will be released on the 25th of August through Future Void Records, available as a digital download, CD or tape.
Facebook: https://www.facebook.com/chalkhandsmusic
Bandcamp: https://chalkhands.bandcamp.com/
Instagram: https://www.instagram.com/chalkhandsofficial/
Joseph James
All photos by Joseph James
It was my first ever time visiting New York. The sheer scale of the place is nothing like I’ve encountered, being from the tiny nation of New Zealand. On the bus ride in I decided to do an internet search to see if any gigs were on tonight. Surely there has to be something happening in the city that never sleeps?
I began to scroll through the search results, when something caught my eye: a free gig featuring Vernon Reid. Wait… The Vernon Reid? From Living Colour?
I saw Living Colour play in Auckland this year and the talent was unreal. And the very same guitarist was putting on a free show? Count me in!
The show was a free event at the Lincoln Center, one of the last of a series that had occurred over the summer. There were three acts all working together to pay tribute to the late, great, Chuck Berry.
First act – Philadelphia based Low Cut Connie – were fantastic. They excelled due to the energy they put into their performance. I arrived ten minutes late (turns out that the New York subway is far trickier to navigate than the Boston subway that I had ridden yesterday), to see singer standing atop a piano stool theatrically while singing. A few songs in he ventured out into the crowd to sing as he ran up and down the aisles.
Vernon Reid had pieced together a great band to play Chuck Berry covers. The stage was incredibly crowded, with a grand piano, three piece brass section, bass, at least three guitarists, and a revolving roster of singers and extra guitarists all playing their part throughout the night.
Of course, the talent Reid had handpicked for the event were all fantastic. It was clear that they were all having fun onstage, dancing around as the played the hits of such a legendary artist. Living Colour singer Corey Glover even made an appearance, pretending to bicker with Reid between songs to provide funny banter.
The band ended with the obligatory “Johnny B Goode”, before a naughty encore of “Ding A Ling”.
By the time The Jayhawks arrived onstage it was dark, making the stage lights stand out and set the mood. Compared to the first two bands, The Jayhawks were more relaxed, with a sound that reminded me of Calexico.
All words and photos by Joseph James
Lower Tones is the first full length album from New Hampshire-based composer Brad Couture (his sixth release if you count his earlier works under the name Sleevenotes).
Couture’s serene cinematic tunes are perfect for relaxing to. I’ve played it often in the evenings lately, and find Lower Tones helps me to unwind brilliantly at the end of a busy day. It’s the soundtrack to sitting curled up in a warm blanket with a steaming mug clasped between your hands.
Well, it could be the soundtrack to whatever you choose really. Herein lies the appeal of instrumental music – the interpretation sits with the listener. Couture has licensed music to clients including The History Channel, ESPN, and Monster Energy, so his abilities clearly transcend mere playing around for a hobby.
Like all the solo instrumentalists who submit their work to me, Couture possesses an unfair amount of talent. Mastering one instrument is hard enough. Being able to play a variety of instruments, arrange them in a compelling way, and record them in a home studio is just showing off.
The music is predominantly soft and subtle, as one would expect from an ambient cinematic project. Couture relies heavily on piano and synths to weave an aural tapestry, before employing other instruments to enhance the music.
Cello offers a rich bass sound that synth or bass guitar cannot replicate the same way. Acoustic and electric guitars also help to colour the music, with the distant scorching guitar solo featuring in “Driving Through The Golden Hour” taking the cake for one of the finer moments of the album.
“Restland” is my album highlight, purely due to how evocative I find it. A deep warm hum sounds replicates a conch shell. Violin sets a solemn scene, with light pads and percussion adding gravitas before making space for sparse piano notes. I can picture viking warships setting out on a voyage to distant lands far across the ocean.
If well crafted ambient music for relaxation sounds like you then look no further than Brad Couture. He has done a stellar job with this release and you owe it to yourself to unwind to his music.
Bandcamp: https://bradcouture.bandcamp.
Website: http://www.bcouturemusic.com/
Facebook: facebook.com/bcouturemusic
Twitter: twitter.com/bcouturemusic
Joseph James