Ranges Ascensionist Tour Update 2: Ypsilianti, Philadelphia, Clifton, Brooklyn

Standard

Tour Day 4 – Tuesday 3 October

W. Cross Station, Ypsilanti, Michigan

Man Mountain, Vision Explored, You Rest, You Joy Life, Hollow Paradise

We drove out of Illinois up to Michigan the night of the Chicago show. We watched another of Joey’s horror films on the way – one called “Strangers”, staring Liv Tyler. The hotel that night left a lot to be desired – the guys swore that it had bed bugs, and the complementary breakfast was stale. I slept in my usual domain – atop the loft in the van – so it didn’t bother me.

Next up was a trip to Guitar Centre. Mark managed to crack his 16″ crash cymbal at some point over the past few days so was keen to replace it, choosing a slightly bigger (and hopefully more durable) 18″ crash to replace it.

I remember chatting to Joey when I first met him a month ago. He mentioned that the band was going near Detroit, his eyes lighting up, He pulled up an article on his phone and showed me some statistics about crime in the area. “We’re going to get stabbed!” he proclaimed excitedly.

Ypsilanti seemed relatively non-descript. Not a big city, but not too small. Not as rough as Joey’s stats would suggest, and certainly not as rough as the area we’d been in, in Chicago the night before. Loading in and setting up was easy. I don’t have a lot to say, except that the songs playing over the PA were way too loud, and the food at the bar was exceptional.

I wasn’t feeling it that night. Man Mountain were great – good music, good beards, friendly dudes – but I wasn’t in the mood for loud music and just hung out in the back.

Tour Day 5: Wednesday 4 October

Voltage Lounge, Philadelphia, Pennsylvania

w/ Tides of Man, This Patch of Sky, VEXES, The Sound of Rescue

Pennsylvania takes a long time to traverse. We spent virtually all day on a free way. Let me tell you, it’s not cheap either! It cost almost $100 to take the toll roads to Philadelphia all day.

Philadelphia is known as the city of brotherly love – the greek translation. Joey set about making the most of the setting by chatting to the guys in Tides of Man – the headliners – who happened to be one of Joey’s favourite bands. The ToM guys were super friendly and it was great to see a “big” band acting so down-to-earth. Maybe this brotherly love thing has clout?

Voltage Lounge – the venue – had a cool feel. Decent sized, with a mezzanine balcony and ample backstage area. Every square inch was covered in graffiti or band stickers – something that I like in venues because it adds character to the place. Oddly enough, the sound guy was friendly and supportive, breaking the stereotype.

First act, The Sound Of Rescue, played post-rock. It was ok. They didn’t push the envelope in any way, but it wasn’t terrible.

VEXES were great. Energetic and heavy, in the vein of Deftones and Thrice. I was getting annoyed at the red lights on stage – something that makes photography a lot harder – so started playing with my camera settings and began shooting in black and white. So thanks to VEXES for helping me evolve my photography skills.

This Patch of Sky came with big expectations. Having recently signed to Equal Vision Records, and released an album to rave reviews, they’d developed a reputation. unfortunately they didn’t meet the hype. Something sounded out-of-tune for the first two songs. Granted, they had a fill-in drummer, and it was their first night of tour. Kit the frontman is interesting to watch. He throws himself around the stage with abandon. Sadly, the rest of the band didn’t match his energy. It didn’t help that half of them play seated. I’ll be seeing them a few more times over the course of the tour so hopefully they fare better in other cities.

Tides Of Man slayed. It was instantly clear why they are headliner material. They played four unreleased songs, as well as content from their album Young and Courageous. The combination of memorable melodies and sheer talent means that there is no way you could dislike this band. That is an objective statement.

Following the gig we tried to navigate Philadelphia’s tight one-streets and went to buy cheese steaks from Pat’s, as you must do when in Philly. There was no parking for a van with trailer, so CJ drove around the block a few times while we picked up the food.

That night I was so exhausted that I fell asleep in the van on the drive to New Jersey, and remained sound asleep in that spot until around 7am. I remember removing my glasses, and in a groggy moment of decision-making, placed them down beside me to be “safe”. To my horror, come morning I discovered I’d slept on top of them and broken the arm.

Tour Day 6: Thursday 5 October

Dingbatz, Clifton, New Jersey

w/ Tides of Man, Gatherers, VEXES, Fence ≇

The hotel we were in was a mere 20 minute drive from Dingbatz, so we made the most of the relaxed morning. Mark and I spent some time in the “fitness centre” – that is, a gym – followed up by a soak in the pool and hot tub. Lunch was at Red Rooster – connected to the hotel – and then we headed to the venue.

Dingbatz was not great. The space to store gear was limited, and the sound guy came across as a total dick. He did play some good music over the PA between sets, including Jakob – which made me feel homesick – but there is no excusing how he treated people.

Tides of Man finished their soundcheck and invited me on an adventure. A quick google search of “things to do in Clifton” revealed a tunnel system a few miles away nicknamed “The Gates of Hell”.

Hell yeah!

I was super stoked to be in a setting other than a tour van or music venue. I handed out flashlights (I call them torches, and I have an incurable addiction) and we climbed down into the abyss.

The guys loved it. We walked through large drains, trying to avoid stepping in any water and inspecting the graffiti on the walls. I’ve done a bit of draining and caving in the past so it was nothing new to me, but still really fun to explore. We chatted on the way. Turns out Tides of Man toured with Australian band Karnivool a few years ago and we bonded over a mutual love of the band.

Back at Dingbatz, after a few beers with the VEXES dudes (Iron Maiden Trooper beers \m/), we watched local act Fence put on a grunge tinted set. They didn’t seem to take it super seriously, but I liked the music.

VEXES did their thing again. I like their style. Gatherers followed, but I didn’t like their intense screaming.

A handful of Mark’s friends had made the trip from New York to Jersey specially to see him. They hadn’t told him their plans, so he freaked out when he saw them. It was cool to see him so excited about catching up with old friends he hadn’t seen in a very long time. And super cool that they’d made the effort to drive all this way, even though we were scheduled to play Brooklyn the next night.

Setting up for Ranges set was interesting to say the least. The sound guy was being a grouch, telling us off because some of the early bands had run over time, putting us late. Mark fell backwards off the stage. He’d thought that it was a wall behind him, but it was just a fabric backdrop. So as I carried a cymbal stand onto the stage I saw him in an odd section between the stage and backstage, on his back with all his limbs in the air, like a stranded beetle stuck upside down. Thankfully he wasn’t seriously hurt.

Mark actually played harder that night – probably a combination of a few beers and trying to show off for his friends who had shown up. The rest of the band caught on and it was nice to see them band together and play well, despite the negative vibes coming from the sound guy.

Following the set we hurriedly took the gear off stage, aware that we were running late. Joey, CJ and I got stranded backstage. We weren’t allowed to open the back door while Tides of Man were playing, and it would have felt rude to run across the stage during their set. All being said, I can think of worse places to be trapped. Tides of Man are incredible. It was nice, having some alone time backstage and listening to great music.

After the show finished and we’d packed our gear into the vans we migrated across the road to another bar. Mark was on fine form, shouting and laughing with old friends. The rest of us hung out with the Tides of Man crew, who shared funny stories about past tours.

That night before bed I reflected on how much fun I was having. I’ve grown really close to the Ranges crew over the past week. We have so many laughs together. I feel so blessed to have had the opportunity to join them on the road.

They’ve given me a nickname: Baggins. And introduce me to their friends as “our New Zealander”. All day they tell me how happy they are to have brought me along. I feel exactly the same.

Tour Day 7: Friday 6 October
Gold Sounds, Brooklyn, New York
w/ So Hideous, This Patch Of Sky and Tides Of Man.

I had been looking forward to this date all tour. Mark has such a larger-than-life personality, and I wanted to see him in his native environment. Plus, he comes from a hardcore/punk background, and kept promising to introduce me to his old band mates and friends who had been involved in the early NYHC scene.

Mark didn’t start the day so chipper though. He’d drunkenly left a bag at the bar and was worried that he wouldn’t get it back. He’s been making an effort to get healthier, so his bag contained medicines and foods like seaweed, dried fruit and nuts, and apple cider vinegar. We rocked up to the bar at midday to see if the bag was still there. Thankfully it was, and I nearly wet myself when I saw the note attached to it. It read: “Someone left their Hippie Survival Bag here Thurs Night”. Brilliant!

The drive to New York had Mark back to his usual self. He excitedly pointed out anything that came to him – where he’d met his wife, a venue he used to attend, where he’d got some tattoos, his favourite pizza spot.

It was surprisingly easy to find a car park for the van a trailer. We took the L line on the subway over to Manhattan and lunched at Katz’s deli at Mark’s insistence: pastrami on rye with mustard. There was a long queue and it was expensive, but damn it was an experience trying to consume such a large sandwich.

It was surreal seeing who had showed up to the gig. Some friends from Bozeman just happened to be in New York on the day. So as well as Wilson and myself (art/merch guy and token New Zealander/roadie), they also had their sound guy and tattoo artist. And there were all the New York locals who showed up to see Mark as well.

They’ve been improving every night, and again, Ranges killed it. Mark went extra hard in front of his punk friends, and CJ and Jared got more physical moving around the stage. Even Joey – not one to rock out much while he plays – nodded his head more than usual. And their light show synced up to the music usually impresses, but tonight it really set them apart from the other bands.

The venue was great. The perfect size to fit everyone. Easy parking, too. Ranges opened for the night, and the place looked packed out. To be fair, it was close to full, but the size of the room enveloped everyone and made it seem more intimate.

Although one major downside was that the only restrooms in the joint were side of stage. So in between sets – when we needed to shift amps and instruments – everyone was queuing right where we wanted to put the equipment.

So Hideous played next. I couldn’t handle the roaring, but I’ll give them credit where it’s due and say that it was awesome seeing a guy shredding on violin.

This Patch Of Sky drew a decent crowd. They played better than in Philadelphia. Guitarist Kit Day snapped a string and ran backstage to borrow another guitar. Dan from Tides Of Man stood near me and watched on nervously. “He better not break a string – I need that guitar for later!” he confided.

Sadly Dan, and the Tides Of Man crew didn’t have a good time on stage. They had issues with their bass cab, meaning that they needed to borrow Jared’s last-minute. And then another amp blew. This pushed their set up time, meaning that they couldn’t fit in a line check, and the mixing levels weren’t to their satisfaction. I can understand that would have been incredibly frustrating, having your gear fail you, and being unable to hear the band as you play.

But, in all honesty, I don’t think it affected their set other than how they were feeling. I loved every minute of it. It sounded great – maybe not perfect, but still fantastic. I could tell that the guys were beating themselves up after the gig, but they needed have worried.

We stayed around until 2am. Mark was reuniting with friends, and the bar had converted to a nightclub, meaning it was hard to pack out gear because we had to push past everyone in the bar. CJ, the trooper that he is, did an all-nighter, driving the five hours to Burlington, Vermont, for dunk!fest. I don’t know how he does it.

Words and photos by Joseph James

 

 

Ranges Ascensionist Tour Update 1: Minot, Minneapolis, Chicago

Ranges Subterranean Chicago - Jared and Mark
Standard
Ranges playing Minot, ND - CJ and Joey
Tour day 1 – Saturday 30 September 2017
Playing at 62 Doors, Minot, North Dakota
w/ Home Invasion, Icarus the Owl, Breakup Haircuts

6am

Damn it’s early.

Is it even legal to be awake at this hour? I mean, I’ve been awake earlier than this in the past – you know, before I was unemployed and homeless – but … time zones? I don’t know, I’m just tired.

Joey’s bought coffees for all the guys. All six of us are loaded into the van and CJ is driving. Driving east seems like a poor decision currently, seeing as we are driving directly into the blinding sunlight. Even with sunglasses and squinty eyes it’s hard to tolerate.

The guys are all having a laugh, sharing stories about previous tours they’d all been on with other bands. It sounds like I’m in for an interesting next few weeks.

Ranges playing Minot, ND - Jared

8am

The van has a built-in DVD player. Joey has a massive collection of dubious looking horror films that he want’s us to get through by the end of tour. I can’t tell if he wants to get scared or appreciates how funny poor quality horrors films are.

We christen the DVD player with the obvious choice – This Is Spinal Tap. I’d forgotten how funny it is. Hopefully it doesn’t foreshadow anything that will happen to us on tour. Although… as much as I like Mark, how cool would it be to see a drummer spontaneously combust!?

Ranges playing Minot, ND - Jared and CJ

7pm

That was one of the longest drives of my life. It took roughly 12 hours to drive from Bozeman to Minot. One of the guys mentioned that we’ve moved into a different time zone. This whole time travel business confuses me.

We load the gear downstairs into the venue. 62 Rooms is a shared studio / art gallery deal. I enjoy looking at the range of artwork hung up throughout the building.

Ranges playing Minot, ND - Jared

8PM

I don’t know what to make of Home Invasion. They’re a two piece. I guess it’s hardcore? They both have cheap, nondescript face masks and felt wide-brimmed hats on. The drummer takes turns between drumming and screaming into the mic out front, while the guitarist builds layers with a looping pedal and sometimes sings as well. It’s loud and violent and the drummer keeps turning the sole light on and off with his left foot, which is disorienting.

Ranges play next. It’s actually the first time I’ve seen them play. Their whole rig is all connected so that the lighting rig syncs with the music. It works well – ambient music coupled with stark lighting.

Ranges playing Minot, ND - Mark

Icarus The Owl play mathy pop-punk. It’s busy music. The drummer has great chops and I like the three-way vocal harmonies, although the lead singer is very high-pitched and I tire of his voice quickly.

Ranges playing Minot, ND - Joey

Breakup Haircuts round off the night with some great hardcore styled music. I enjoy what they do, but miss some of the set because I’m helping the band load gear into the van.

11pm

We eat at an Irish pub called Ebeneezer’s just down the road. My meal came on one of the largest plates I’ve seen in my life and the band couldn’t get enough of my excited reaction. After the meal we drive on for roughly an hour, stopping to sleep overnight in a town called Rugby.

Ranges playing Minot, ND - CJ and Joey
Tour day 2 – Sunday 1 October
Triple Rock Social Club, Minneapolis, Minnesota
w/ Drumbeat Red, Lions & Creators

10am

Joey’s pretty excited about the venue we’re headed to. Triple Rock is co-owned by Erik Funk from the punk band Dillinger Four. Now that he mentions it, I recognise the name from a NOFX song. The drive isn’t nearly so long today, and everyone is in a good mood. The guys speak fondly of Minneapolis – they have friends in town and all have a story or two from last time they were there.

Ranges tour - Jared

11am

A storm hits and one of the windscreen wipers gets caught by the wind and flicks off the windshield. Thankfully CJ is able to find a space to pull over and was able to sort it out. I don’t know what we would do otherwise because most mechanics would be closed on Sundays, and it wouldn’t be safe to continue in the heavy rain.

Ranges tour - Wilson and Mark

5pm

We arrive in Minneapolis early in the evening, with plenty of time to kill before the show. One point of interest is a vending machine stocking guitar strings, capos, picks and drumsticks. It strikes me as a good idea. The venue has a cool aesthetic, with gig posters and band stickers on most walls.

Food seems like a very attractive option after the long van ride, so once you’ve unloaded the gear from the van we head next door to the restaurant area of Triple Rock. The jukebox is playing loud punk music, which prompts Mark to tell me about his musical background. He grew up in New York in and around the hardcore scene. I mention that I saw Gorilla Biscuits play in Auckland a few years ago, which sends Mark down a rabbit hole, mentioning all his friends who played in associated bands. He also knows Vernon Reid from Living Colour, and can’t believe that I interviewed Will Calhoun from the same band earlier in the year. I can only imagine how awesome it was playing shows at legendary places like CBGB’s when he lived in New York. I’m looking forward to the Brooklyn and New Jersey legs of the tour because we will get to meet Mark’s old friends.

8.30pm

Lions & Creators are amazing! Just three guys on stage throwing themselves around wildly. They find a balance between control and chaos and I love it. They also talk about murder sneezes, which is something that more people need to know about.

Ranges play better tonight. Being on a stage and have a black background helps to add gravitas to the set, and the band sounded more confident because they could hear themselves better in the mix (compared to last night). My friend Will watches the set with me and he mentions how impressed he is with the overall setup. He has a point. The band play well and the music from the new album sounds good. But that they’ve managed to build a stage set with a synchronised light show in the icing on the cake.

I miss the last act because I was catching up with Will. The guys in Ranges tell me that I really missed out.

Ranges playing Minot, ND

12am

Jared’s best friend Mike lives in Minneapolis so we’re all staying at his place. Most of us stay up well into the night, talking nonsense and watching music videos. At one point Mike’s wife brings out a box of nerf guns. I’m not sure what I expected from tour, but this isn’t how I imagined it. It sure is fun though.

Tour Day 3 – Monday 2 October
Subterranean, Chicago, Illinois
Outrun The Sunlight, Atonement Theory

Chicago is one of the few cities on tour that I’ve already been to. I stayed with Matt from Aviation and the War in August. I rate Chicago as having had the best food in my American travels to date. All the guys say that they’re looking forward to some deep dish pizza.

Ranges Subterranean Chicago - CJ and Joey

Joey gets into weird spaces that he calls “second wind”, usually as we enter cities. He puts on a hick accent and starts talking about diesel engines. I’m starting to get used to it, but I doubt that I’ll ever become immune to his silly sense of humour.

Ranges Subterranean Chicago - CJ and Joey

Arriving in Chicago is different from the other cities. We hit traffic and have to pay to drive on toll roads – something that isn’t found too often near Montana. The city feels vibrant as we enter, full of all walks of life. There are hundreds of cyclists, and apparently they all have a death wish because they keep cutting CJ off as he drives. Finding a park for a van and trailer is quite the ordeal, but after circling the block a few times we find a space near the venue.

Subterranean is a cool venue. Space is tight so we play a game of tetris with drums, guitars, amps and lights to try to squeeze the gear out-of-the-way.

Ranges Subterranean ChicagoAfter packing the gear in, I walked to a nearby taco restaurant just around the corner. Turns out my grasp of the Spanish language isn’t as good as I’d thought it was, because the simple act of ordering two tacos proves extremely difficult. At the taco place I meet David, one of Mark’s old friends who lives in Michigan, and drove a few hours to make the gig. He’s a friendly guy and we chat over our meal.

Turns out the meal took so long to order, cook and eat that I ended up missing the first act! I’m told that Atonement Theory were great so I was sorry to miss them.

Setting up proved tricky with such limited space, so we opted not to use a few of the lights. Jared’s pedal board was also bugging out, so he chose to bypass a few pedals.

Tonight’s set was great. The mix sounded good and I caught the guys flashing grins at each other throughout.

Outrun the Sunlight closed the night with their technical post-metal. It was a wonder to see them pull off intricate melodies that switched time signatures. I stood side of stage watching the drummer make magic happen.

Outrun the Sunlight at Subterranean Chicago

Outrun the Sunlight at Subterranean Chicago

After packing up the venue we went round the corner to Dino’s Pizza. It was a shame to leave Chicago immediately after, but the city had a reputation, meaning the band were anxious about parking the van somewhere with a likelihood of being broken into with their instruments inside.

Ranges TourAll words and photos by Joseph James

Ranges Tour Blog: One Day To Go!

Ranges The Asencionist Tour
Standard

I can hardly believe it.

I am about to embark on a tour with a band that will take me across America and back.

The band in question is Montana’s Ranges. Just last week they released their new album, The Ascensionist. In just over a week we will be at the inaugural dunk!USA festival in Burlington, Vermont.

I’ve heard the lads practicing together, but this is the first night I will see them actually perform a set. The Ascensionist is a culmination of everything the band has become, a homage to previous albums, yet fresh in its own right. I see the band at the height of their career to date, both artistically and musically. It’s a privilege to be able to see them at this exciting time.

We’re driving a mini van with trailer in tow. There are six of us: CJ (guitar) is like the dad – he is the voice of reason and will be driving for most of the tour. Joey plays guitar as well. He’s crazy and has a short attention span, but is incredibly likable. Mark is the drummer. He’s the oldest of the group, a veteran of music. His accent is different to the others, being from New York, and he has some great stories. Jared plays bass. He has a master’s degree in ceramics. He’s the one I’ve spent least time with, but no doubt I’ll know him well after spending 2 weeks in a van with him.

Wilson is tagging along too. He’s CJ’s business partner, helping to run their printing company A Thousand Arms. He’s in charge of photography and visual wizardry. He was actually an original member of the band, so it’s nice to have him along.

And then there’s me. I’ll be keeping a tour blog, taking photos, selling t-shirts, driving the van, helping to set up for the shows… in short, I’m the roadie. I’m the youngest, and I’m foreign, so most of jokes are made at my expense (mostly Hobbit references for the time being)

I helped the guys with prep last night. CJ and I combined forces to create a loft in the back of the van – a bunk that we can sleep on with room for storage underneath. We’ve been printing merch like mad as well – for both the tour and dunk!fest.

Tomorrow, the first leg of the tour, will bring us to Minot, North Dakota. I’ve been travelling around America for months now, having left my home in New Zealand in June. But America is a biiiig place, so despite visiting many different cities, I haven’t even scratched the surface. I’m hyped to see more of this amazing country, and meet locals along the way.

EP Review: Masters Of This Land – Self Titled

Masters Of This Land
Standard

Masters Of This Land is a post-rock/electronica duo from Cairo (closely linked to another act Go! Save The Hostages!). The two members, Amir and Youssef use guitar, bass, synth, a drum machine and a sampler to create relaxing downtempo music.

An interesting bent to this band is that they use their music to satirize the Egyptian government, as well as current nationalist movements around the world (Trump and Brexit were two examples that Amir offered). I can’t pretend that I am aware of the current situation in Egypt, but Amir has filled me in on some recent history, mentioning a 2013 Military coup following from rule by a Muslim Brotherhood.

This political theme is surprising. The imagery of aggression and power contrasts sharply against the mild downtempo music.

On one hand we see some strong satire of the current regime. The Masters Of This Land eagle symbol found on the album cover is based on the Roman SPQR eagle, a symbol of domination. The EP was released on the anniversary of the Egyptian Revolution of 1952, when the military first took control. Amir shared that the band name was taken from a quote by a recent post-coup Justice Minister who was a former judge. Translated, what he said was that the judges were “masters of this land, and everyone else are slaves” (reference). The band name, symbol and release date are all pointed attacks on the government through ironic mimicry – an answer to the government’s “brain-melting propaganda”, as Amir put it.

One the other hand we have the wonderful music, which doesn’t invoke thoughts of defiance in the slightest.

Tranquil notes play over rigid electronic patterns. Glitchy beats coincide with serene swells. Acoustic and electronic marry and together they create sounds of peace.

Some of the song names are interesting. “C_LORRI”, full of spacey, sci-fi noises, is named after the file name of the first photo of Pluto that the New Horizons probe sent back to earth. “This She-Wolf Is A Gift To My Kinsmen”, with its music box intro, ethereal coos (possibly an e-bow?) clucky synth parts, was the first recorded sentence in (Old) English, written in Anglo-Saxon runes. “Factory 221” was the codename of the area where the Chinese developed atomic weapons in the 50s/60s.

Writing an EP full of relaxing electronic music is an unusual method of protest, but still something I can endorse. I’m a fan of political music, and have always loved the punk ethos of using music as a vehicle to stand up against injustice. And in a weird way it has worked. OK, so this short EP isn’t going to single-handedly overthrow any corrupt governments, but it has at least made me more aware of what is going on in Egypt.

I don’t wish for any of this to be misconstrued as racist. As I said before, I am largely ignorant to the happenings of the various Arab nations throughout recent years. But I do feel compelled to share when I hear stories of rebelling against oppression and injustice.

Politics aside, Masters Of This Land features some great music, perfect for relaxing to. Instrumental projects are open to interpretation, but this one features some fascinating content if you choose to delve deep. If not, never mind, the music stands up on its own as both calming and interesting.


Masters Of This Land links:

Album Review: Bandina ié – Synekdoke

Bandina ié - Synecdoche cover
Standard
Copenhagen quintet Bandina ié have spent a long time working on their début album, Synekdoke. Six whole years for six tracks. Spending an average of a whole year on each track is either a sign of stupidity or great attention to detail.
Named after the Charlie Kaufman movie “Synecdoche, New York”, the album feels light and summery.
The introductory title track feels ambient and ephemeral, with light guitar picking, electronic swells, and tapping on the drum cymbals that sound like cicadas chirping in the trees. It doesn’t feel so much like a song, but serves to set a relaxing tone for the album.
“Arjuna” is fantastic. Everything about it makes me think of carefree dancing – the great groove, the way I picture fingers jumping off the strings on the fretboard, the way the drumsticks bounce off the rims of the drums, the way the shaker rattles in time to the beat. It’s a wonderful song, reminiscent of Dorena.
Likewise, “Solipsisten” warms my heart. Sweet guitar picking, a strong beat with a shaker and ambient swells combine to create a thing of beauty.
The reason I love this album so much is because it sounds so fun and lighthearted. I picture a fantasy scene with elves and fairies partying it up in a forest clearing, fireflies spiraling around them, and everyone having the time of their lives.
Not every track is a fun fairy tale soundtrack. A few are more ambient, and “Kazuaya” features a dangerous rhythm that comes close to a rave track. “Ophavet” opens and closes with clinking wooden wind chimes and rustling in the bushes, but features a down-tempo bassline between. But overall the album still sounds like an adventure in the wilderness.
Too much instrumental music is sad and gloomy. And as much as I love heavy music, the music that Bandina ié writes makes me want to celebrate life in a way that few other post-rock songs inspire me to do.
Bandina ié - Synecdoche
Synekdoke is available now (digitally and on vinyl) through Stella Polaris Music.

Bandina ié links:

Bandina ié is:

Johan Carøe (guitars):
Rasmus Boesgaard (guitars)
Simon Ulstrup (bass)
Mads Michelsen (drums, percussion)
Emil Duvier (piano, synthesizers)
Joseph James