The Adults’ second album, Haja, is one of the better albums to come out in recent months. Vivacious and upbeat, it combines energetic Sudanese percussion with emerging New Zealand pop and hip-hop talent.

I was wondering how they would pull it off in a live context, purely because the album featured a lot of contributors from around New Zealand and Sudan. Many songs on the record revolve around Sudanese Aghani-Al-Banat music, and the women who laid down those beats were unlikely to come all the way to Aotearoa for a few Adults shows. I also wondered what material they would play, seeing as there are two Adults records to draw material from.

Raiza Biza opened the night with some smooth hip-hop. He looked familiar, and then I realised that I recognised him from one of David Dallas’ Hood Country Club album release shows last year. He had a great chilled out style, and his backing music was musical – as opposed to just beats – with horns and all.

After a handful of songs Biza looked over to the door to the green room. “Jon, are you ready? Should I do another song?” he enquired, unsure of how long he should play.

“Keep playing, we want more!” a lady behind me yelled. Biza shrugged, signaled the DJ to start another song, and played a few more

The rest of the band came on after Biza’s set. Trinity Root’s Ben Lemi on drums, Steve Bremner on percussion, Emily Browning on guitar and vocals, Estere on roto toms, percussion, vocals and synth, and the main man himself, Jon Toogood on bass and vocals. A fairly star-studded line-up.

Biza stayed on for a few songs, taking on the rapping parts that he and Kings had laid down on Haja. Toogood was clearly stoked to have him on as part of the team.

I was pleased to hear the group faithfully recreate the Sudanese beats. Bremner and Lemi showed off their obvious proficiency on drums and percussion, with Estere adding roto toms, tambourine and maracas to the mix at times. Toogood complemented this by laying down thick bass, which came through loud and strong.

The mostly instrumental tracks “Haja” and “Like The Moon” were standout. They were able to mess around with the songs – due to the lack of verse/chorus structure – giving them the feel of fun extended jams.

Another highlight was lead single “Bloodlines”. “Oh, this is a good one!” a lady shouted as Toogood announced it.

“I hope so,” Toogood replied, “I thought it was good too. That’s why I’m here to play it.”

He appeared in a good mood – perhaps feeling slightly flustered and under-prepared for the first live performance of this material – but also clearly having fun, judging from his dancing as he immersed himself in the music. He joked along with the crowd as they shouted out, and made sure to direct positive attention to his colleagues.

The Adults is a supergroup, of sorts, and each member tonight proved themself a worthy addition to the band. Browning sounded great on guitar and could sing well, although could have used a volume boost. And Estere was the star of the night, spreading her talent across multiple instruments and leading most of the singing. She took on the parts written by Aaradhna and Ladi6 with ease.

They played the all eight songs from Haja, followed by “Nothing To Lose”, the lead single from the original Adults record. This was a brilliant way to end, with everyone dancing along to the strong, bouncing bassline.

A short break was followed by one encore, “Short Change” – a b-side I didn’t recognise that Toogood had co-written with Shayne Carter. Bremner played drums this time, freeing Lemi to come up to play lead guitar.

All up it was a fantastic gig. Lots of talent, lots of energy, and plenty of opportunities to dance. It didn’t feel fully polished – being the first performance of new material – but it didn’t feel lacking either. I would have loved to hear more, but they did play the entire album, so I can’t exactly feel cheated. If you get the chance to see the Adults play any of the rest of the dates as they tour New Zealand of Australia then I recommend you head along and have some fun.

Words and photos by Joseph James