Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, gaiety and life to everything; It is the essence of order and lends to all that is good, just, and beautiful. – Aristotle
There are as many ways to deal with pain or loss as there are stars in the sky. Music was handed down to us through the impossibility of timeless epochs by our ancestors. The importance of music throughout our history on this planet cannot be denied. Pre-history man used it as a means to tell stories, mourn the fallen or in ritualistic rites. Paleolithic humans would blow through bone flutes, clap their hands, bang rocks together, hum, whistle or roar. Music and rhythm is an indelible part of human evolution. We take it, as we take life, for granted. It is almost unfeasible to imagine our short time on Earth without it.
The post-rock and cinematic instrumental genres are difficult to explain. I’m often asked what it is and usually I’m bereft of any explanation. I can never quite define it. “Why do you insist on listening to music that seems to be so damn sad all the time?” is one question I’m often faced with. The answer is easy: catharsis. There was a study published in Frontiers in Psychology that posits that we tend to listen to sad music because it elicits positive emotions. Aristotle suggests that when we overwhelm ourselves with undesirable emotions the music acts as a tool of purgation. There is a gap between what we perceive as emotive in the song and what is actually felt. That gap is what is so difficult to explain.
Oftentimes, as listeners we rely on the musicians to provide us with ablution through their music. Sometimes we forget that the musicians themselves may be writing to deal with their own pain.
In 2013 Swedish post-rock duo U137 released their debut album Dreamer On The Run. According to record label Deep Elm the album has over 40+ million plays on Spotify alone. Dreamer On The Run was a gem of an album. Fronted by Oscar Gulbrandsen and Adam Tornblad of Moonlit Sailor fame, U137 writes texturally deep and spiritually honest songs that dive right into the heart. It’s the kind of music that plays at the edges of that emotive gap highlighted in the study above. On November 17th U137 will be releasing a two song “single” Adam Forever / The Great Leap. Sadly, the release will be bitter-sweet. U137 and Moonlit Sailor lost drummer Adam Tornblad in May of this year after a long struggle with substance abuse and depression. This is Oscar Gulbrandsen’s catharsis:
“Writing Adam Forever was very difficult but also provided me with some much needed therapy. The feeling and sound in this song is my love for Adam.”
Adam Forever is Oscar’s farewell tune to a man he’s known for over two decades. This is Oscar’s goodbye song and a way to show his appreciation for a man he obviously dearly loved.
Adam and Oscar began writing music together in their teens and would eventually start ethereal post-rock group Moonlit Sailor in Borås, Sweden. Borås is known to go weeks without sunlight. An important fact to note as you can hear the peaceful tranquility of night dot the landscape of their musical library. In Adam Forever you can hear the hope of a new day in its opening notes. It’s almost a lullaby in reverse. It’s a song that reminds you that no matter how bad things get you have to shake off the dark, greet the morning with a smile and know that you’re 13 billion years in the making. But it is also a song that reminds you that the impossibility of you, you’re entire existence, is short and fleeting. It’s a song that reminds you that you’re loved and have the capacity to love. It’s a song of reclamation and reverie. It’s a song that begs you to celebrate what time you have with the ones you cherish because it all has to eventually stop. It stops but it does not end. Much like U137, Adam’s unfortunate passing isn’t the end, it’s a new beginning.
Adam Forever is the kind of track that’s difficult to un-hear. The synth-like strings swell and crash coupled with a tenebrous piano part that manifests the emotive gap. The guitars create a stable foundation and echo for eternity. Just as things begin to look too bleak the drums pound a crescendo and the song takes on an air of penance. You can’t help but feel completely and utterly redeemed.
You can hear Oscar all over the second track The Great Leap. It opens with a frenetic neo-romantic string section that would make Wagner roll in his grave. Beneath all of this are lush and verdant whole notes that surge listlessly in contrast to the dynamic strings. The song finally drops about halfway through with a guitar part that could make your heart melt. It’s exactly the kind of track you’ve come to love from U137. But there’s something more here. As good as Dreamer On The Run is, you can’t help but feel like U137 is beginning to truly ascend. Another full length will be on its way and The Great Leap, though written two years ago for U137’s second album, gives listeners a lot to get excited about.
I don’t know what happens to us after we die. There are countless pages written on this subject that I better leave to minds greater than mine. I know that we aren’t the tenacious, unbroken and resolute beings we pretend to be. Everything comes to an end, but there are those of us out there that leave an enduring and unforgettable footprint behind before we go. I can’t help but feel that Adam Tornblad is one of those people. Through his life we’re left with music that will ride on waves to the farthest reaches of far space and beyond. Would that we could all profess as much. Adam is gone, but his gift remains. Dammit, Adam, thank you.
Pre-order – Deep Elm Digital: http://deepelmdigital.com/album/adam-forever-the-great-leap