It has been a great year for post-rock. Wellington has recently been visited by some greats like This Will Destroy You, sleepmakeswaves and Mogwai. And some brilliant albums have been released by bands from all ends of the spectrum worldwide.
The latest such release is Hear You, the third studio full length from Japanese rockers Toe.
Although I would classify Hear You as post-rock, it isn’t a strictly instrumental album. In fact, many of the songs include singing, like the tracks ‘Commit Ballad’ and ‘Song Silly’. Some songs are softly cooed, some are rapped. There are both male and female singers, making the sound all the more diverse. The singing is also predominantly Japanese, but I think I can identify English in “Song Silly”.
This first half of the album sounds like one big song that slowly evolves. The second half is where things begin to mix up. ‘Time Goes’ actually sound more like rapping than singing, backed by some funky guitar, bass, and organ. The next song, ‘オトトタイミングキミト’ follows up with the hip-hop feel, this time with jazzy piano parts.
The crisp drumming throughout the album is standout. In fact, the busy drumming during breakdown in “A Desert of Human” is probably the best moment on the entire album. At times drummer Kashikura Takashiit hangs back, waiting. But when the time comes his playing is urgent and hurried, adding pace and filling the emptiness in a tasteful way. He plays around the timing with drags and shuffles, and makes the most of space with varied rolls, fills and flourishes. There is a very math-rock approach, adding colour and vibrancy to some otherwise straightforward sounding songs.
Hear You has a clean, cohesive sound that is soothing but engaging. It is predominantly percussion driven, with jangly picking and light strumming from the guitars. That said, even though there is a ongoing sound saturating the album, it is also incredibly experimental and subtly diverse. Take the track ‘G.O.O.D L.U.C.K’, for example. It contains tabla drumming, whining Kanye autotune sounds and cheerleader chanting. And somehow it all works in together. There are so many intricacies and subtle layers that only reveal themselves on repeat listens. It’s a short album – the 11 songs only add up to 40 minutes of material – but it’s a case of quality over quantity.
Hear You may be short, but it’s so good that you’ll likely find yourself listening to it on repeat anyway.