David Byrne Who Is The Sky? Tour

Spark Arena, Auckland

Wednesday 14 January 2026

David Byrne came to Wellington on his American Utopia Tour in 2018. It was incredible, one of the best shows I’ve ever witnessed. And it truly was a show. The uniform, the choreography, the lighting… not to mention the music. Outstanding.

And then a few years ago I went to the local Embassy theatre to watch the re-release of the iconic Talking Heads film, Stop Making Sense. I’m too young to have seen it when it first came out, so this was a such a joy to behold for the first time on the big screen, especially with the amazing speaker system that the Embassy boasts.

So I was pretty excited when I saw that Byrne was returning to NZ. I’m not a big fan of going to Auckland, but the promise of an incredible show was too good to pass up.

I happened to sit next to another music writer on the flight up (Alexander Bisley – check out his excellent recent write up on Don McGlashan) and he asked me if that last David Byrne show would rank in my top 10 concerts. It was a very convincing yes. I had no doubt that tonight would be amazing, the question was how would it differ from last time.

The thing that sets this show apart from most is that everyone is mobile. Most bands would have a drum kit set up, amps at the back, microphones on stands… But in this case, everyone had their instruments on straps or harnesses in some way so that they could move about the stage as they played. Drummers playing mounted drums and percussion like a marching band would, and everyone used wireless pickups and headset mics. This changes the dynamic so much because every song is choreographed and we see the performers line up and move in different formations, adding such an interesting visual component to the show.

This was the same for the American Utopia tour, but there were a few updates. They all wore dark blue uniforms, whereas last time they all wore light grey suits that showed up sweat patches, and had bare feet. Last time a curtain of chains enveloped the rear and side of the stage. This time we had huge screen walls showing videos.

This is the Who Is The Sky? Tour, and they played three tracks from said album. Lead single “Everybody Laughs” was a joyous time. But Byrne is synonymous with his old band Talking Heads, so he treated us to many of their classics.

I also liked that they included a Paramore cover. Paramore singer Hayley Williams featured on the Who Is The Sky?, although they didn’t play that song tonight. Byrne also recently recorded a song with Olivia Rodrigo. I find it so charming that this iconic man in his 70s is so connected to current pop divas.

They started off with the beautiful “Heaven”, and took us through memory lane, with obligatory inclusions of crowd pleasers like “Psycho Killer”, “Once in a Lifetime”, and “Burning Down the House”. These all saw people jumping to their feat to boogie at a seated concert, and looking through the crowd, hundreds of phones were lit up as people recorded the experience.

And although I think people are better off being in the moment, and can see why they wanted to capture things. It was a sight to behold, a bakers dozen worth of star performers singing, dancing and playing in complex evolving formations.

I could see what they were playing, but even so, it was hard to believe that it was all live instrumentation. It is so commonplace for bands to rely heavily on backing tracks these days that it makes me wonder how Milli Vanilli was so controversial when they were exposed for lip syncing. But this was the real deal. It’s a shame that he didn’t do it again tonight, but I remember last time they actually made a point of building a song up slowly, player by player, so it was evident how each musician contributed to the sound. Even then, despite the evidence, it still sounded almost too good to be true. Remarkable stuff.

This show would have taken an incredible amount of rehearsing. I can certainly think of some shows that I’ve seen that have felt borderline sterile with how rigid and rehearsed they were. But this was lively, infectious. We could see how much fun the performers were having, full of energy. It was a celebration of music, of the arts, of humanity.

Byrne and Talking Heads came up in the new wave and punk music movements of New York, largely connected to the iconic venue CBGB’s, alongside contemporaries like The Ramones and Blondie. This exciting scene was known as vibrant and innovative. It’s incredible how Byrne has kept the creative momentum going, and remains relevant in his 70s.

He quoted an interview he’d read with director John Cameron Mitchell, in which Mitchell stated that “love and kindness are the most punk things you can do these days” [my paraphrasing]. After some consideration, Byrne decided he agreed with this. Especially considering the current world events and the state of the USA, choosing to be kind is an act of resistance.

Byrne made a point of highlighting how people have fought to come together for humanity in recent years. He shared how Italians would sing to each other from their balconies during the pandemic – especially on their Independence Day – which was a day celebrating the defeat of fascism. They used the screen walls on stage to broadcast footage of protests, or even just t-shirt slogans, with progressive bumper sticker sayings on them. The audience would cheer loudly when they saw images or slogans that resonated with them. I strongly remember Byrne playing an incendiary cover of Janelle Monáe’s “Hell You Talmbout” at the last show, a powerful song that decries police brutality and racial violence. There’s no denying that he was making strong political statements, but with a filter of positivity and inclusivity.

David Byrne blew me away with his last show in 2018. And this new iteration delivered just as much, but with more Talking Heads hits thrown into the mix.

Before playing “And She Was”, Byrne shared that the song was about a girl he’d gone to highschool with who always seemed super happy. He’d wondered what the secret to her happiness was. Turns out it was LSD… I can’t comment on taking acid, but I think attending a David Byrne concert can deliver a pretty darn potent dosage of happiness too.

After the show Marty Duda from 13th Floor stopped me and asked me about my tshirt. I was wearing a House of Guitars shirt I’d bought when I was on tour with Ranges earlier in the year. Turns out Marty used to work there, 30 years ago! And then I met another music writer, Nick Bollinger (author of Goneville and Dancing Sundays) – his daughter and I are both Kindergarten teachers. I thought it was pretty cool to have randomly met three other music writers in the space on a few days.

Joseph James