Live Review: Into It. Over It. at The Rev, Melbourne

Into It Over It Australian Tour Poster
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Into It. Over It.

w/ Zzzounds and Jess Locke

The Rev, Melbourne

Friday 30 September 2016

I awoke at 4.30am (1.30am Melbourne time) to make it to the airport for my flight to Melbourne for the Into It. Over It. show. As I stumbled out of bed bleary eyed, I quietly thanked myself for having the foresight to have packed my gear the night previous.

I got to the airport without a hitch, seeing as there is no traffic so early in the morning. My flight was delayed by an hour, but I busied myself doing some paperwork on my laptop as I sat in the waiting room.

Once it was time to board I somehow managed to squeeze my 6’3″ frame into the airline seat that was clearly designed for people less vertically inclined than myself. I managed to survive the four-hour flight, despite the lady in front of me deciding to recline her seat into my knees. She then proceeded to slam her body weight squarely onto my knees every two minutes as she tossed and turned, trying to make herself comfortable, and inflicting maximum pain upon my legs in the process.

Into It. Over It. Melbourne Will Not Fade

Landing in Melbourne was mayhem. Nobody appeared to have a clue where to go and the lack of signage and airport staff did little to dispel the mass confusion. It took an hour to get from the runway to a bus that drove us along the tarmac, through customs, and out of the airport altogether. It was a public holiday in Melbourne because of the AFL sports final, so perhaps most of the staff had the day off? I’ve been told that customs officials are on strike tomorrow, so I wonder if I’m going to have an equally unpleasant time trying to get back into the airport?

Whilst not the first time I had flown overseas, or even the first time I’d been to Melbourne, this was the first time that I’d traveled abroad for a gig, and I was wondering if it was worth all the hassle I’d had to endure so far.

My friends picked me up from the airport. We spent the morning in Richmond sampling outrageously unhealthy [read: tasty] food, before heading into the city to stroll down the streets in search of more morsels and to listen to buskers on Bourke Street. It was both a public holiday and school holidays, so town was exceptionally busy and full of life.

I was insistent that we needed to buy some matching red and black checked shirts to wear to the gig. My friend Francie was having no bar of it, deciding that dressing like a lumberjack was beneath her. But I managed to find a beautiful 7XL sized top to wear for $10 (bargain!), and offered my own more modestly sized M sized shirt to Francie’s boyfriend James, who was far too polite to decline. He didn’t seem to stoked on the idea, but I think that he was secretly relieved that I hadn’t bought another of the 7XL shirts for him.

We arrived at the gig at 9pm. Sadly we missed opening act Jess Locke. Time management has never been my forte, and navigating Melbourne public transport was a bit beyond me in my current sleep-deprived state.

I introduced myself to Evan Weiss, the man of the night, who was manning the merch desk. He thought it was hilarious that I was rocking a shirt the size of a tent. I’d got the idea from the brilliant “No EQ” music video [embedded above], which involves everyone dressing up in those red checked shirts and oversized Evan Weiss masks with plastic glasses. To my surprise, Evan told me that I was the first fan crazy enough to actually try to dress like him for a gig. He told me that he hadn’t even featured in the “No EQ” video. He had been away touring while his friends put together the video, almost as a prank on him. At least my friends thought my insanity was slightly more justified after that conversation.

zzzounds Into It. Over It. Melbourne Will Not Fade

Second support Zzzounds [aka Dave Drayton] started shortly after. Like Weiss, Drayton was doing a solo show without a band for support. And the IIOI comparisons don’t stop there. He sang brilliant heartfelt songs with nimble finger picking on a glittery green guitar, and was never ending with the funny banter.

zzzounds Into It. Over It. Melbourne Will Not Fade

His guitar style was impressive. Most of his playing was done using two hands on the neck, with a mixture or tapping and finger picking. He sang sad songs about unemployment and lack of money, but it didn’t get depressing because he was devastatingly funny between songs. He employed a gimmick of trying to incorporate nu-metal puns and Simpsons references into his songs. Anyone who writes songs about Juggalos getting confused about magnets gets a thumbs up from me.

Say Ahhh. Into It. Over It. Melbourne Will Not Fade

I wasn’t sure what to expect. I was hoping that Weiss would have brought a band over, or at least his phenomenal drummer, Josh Sparks. But I was also hoping to hear some  lovely singer/songwriter numbers like from his Daytrotter sessions. Turns out that Weiss had chosen not to bring his full band on his first Australian tour, partly to test the waters, and partly because going solo is cheaper than airfares for a full band.

Not that this mattered. Weiss had more than enough presence to compensate for his lack of support. Belting out anthemic choruses one second, and then tenderly cooing into the mic the next, he showed a wide range of proficiency. A few of his rockier songs felt slightly flatter than usual without the drums or guitar pedals that feature in the studio versions, but this was easily forgiven, because he was able to pump out such brilliant tunes using just his guitar and his voice.

And although he joked that  it was “sad singer/songwriter night”, nothing was sad about his performance. He was lively and energetic. He shared with us that he’d been nervous about how he would be recieved in Austrailia, but was having such a great time and couldn’t believe how well it was going.

It was a captivating show. I’ve listened to him sing thousands of times on record, so it was something special to sit a few metres away from him and watch him work his magic.

Into It. Over It. Melbourne Will Not Fade

Weiss was at ease on the stage, and commented on how much fun he was having, and how welcome he felt a few times over the course of the night. He shared stories behind a few songs, told us about how his cat was plotting to kill him, discussed his old haunted car, invited us to request songs, and even asked us to heckle him (like they do back in New Jersey).

My favourite story was about the inspiration for “Pinky Swear”.  At the time of writing the song Weiss was struggling to make a living as a musician, and his girlfriend was also struggling to make ends meet as someone who made plush toys for a living. The two of them swore to each other that they’d follow their passions, and the song tells of Weiss reflecting on this promise, parked in his car on the side of the road whilst watching a fireworks display.

He was a great sport, taking requests to play super deep cuts. Some of the songs he hadn’t played for many years, but it was the last night of tour, and he was feeling good, so he made a go of it. People in the audience felt comfortable interacting. Some heckled Wiess, tongue-in-cheek, as he had prompted them to. Many shouted out requests. One guy got a shout out for whistling a melody that was absent from the live guitar-only version of a song.

For one request (“Portland, OR”, from the split EP with Such Gold), Weiss had to re-tune his whole guitar, and once he had, realised that he’d entirely forgotten how the song  went. He tried to look it up on spotify to remind himself, and had an attempt, before throwing in the towel and just telling us the story behind the song. He had been staying in Portland when he and his mates had invited a girl to the pub with them. She offered to buy him a beer, and when he’d said “thanks, bro”, she’d blasted him and called him a “jock douche”, which inspired the song.

It was nice to see a professional musician show that it’s OK not to be perfect. He will have played some of his songs countless times, but still manages to make mistakes. But he owns his mistakes, and has fun while he’s doing it.

Into It. Over It. Melbourne Will Not Fade

I was tired and sore when I got to this gig. It had been a long day. But the music had been spellbinding. It was magic seeing how music could be used to form a genuine connection between strangers.

I left the gig exhausted, but elated. I’d been awake for almost 24 hours straight and in that time I’d flown to a different country, eaten some amazing food, caught up with old friends, and managed to meet one of my favourite artists and see him take complete ownership of the stage. It made me think about how fortunate I am to be able to pursue my love of music, and attend so many great shows.

“Life gets in the way of living
And interrupts the could be, would be, should be
That we’re offered everyday
And now that you and I’ve been given what we’ve wanted
Let’s make a pinky swear that we don’t throw it all away.”

-Into It. Over It. – “Pinky Swear”

 

Into It. Over It. Melbourne

And, as if I hadn’t managed to embarrass my friends enough that day, I fell asleep on the train ride back to their house, draped in an tragically over-sized flannel shirt.

 

Joseph James

Interview: Incentives

Incentives Melbourne
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Melbourne based hardcore act Incentives have just dropped their début EP, Dusk, at the end of June. I fired some questions off to vocalist Kyle Adams just before then to see where the band was at prior to dropping their first EP, and to learn more about who they were.

Will Not Fade: I’ve visited Melbourne once. It was in 2012 and I stayed with my friends who were in the band The Voyage, and we all went to see Terror play that weekend. I got the impression that in Australia people take being in a band pretty seriously, whereas here in New Zealand it’s more like “hey let’s start our sixth side project, and I’ll play an instrument that I haven’t learnt because it looks fun!” Have you noticed much of a difference between NZ/AU bands?

Kylee: We were lucky enough to tour New Zealand early 2015 and made great friends with a band called ‘The Inquisition’. I don’t really feel like we picked up on any huge differences other than the fact that the New Zealand scene is considerably smaller. This probably means that as an Australian band you really need to put in a little bit of extra time and money to get yourself noticed and grab opportunities. End of the day I think both scenes really love their music it’s just a matter of scale.

How does the Melbourne hardcore scene feel at the moment?

The Melbourne hardcore scene is super, super, talented right now. We have heaps and heaps of bands coming out and continually impressing! I still think there is a bit of a gap between the “In group” and the rest of the scene but that’s always pretty standard for any kind of scene in any facet of life.

I read that many of your songs are written about girls. Which member of the band is the biggest ladies’ man? (You need a story to back up any answers to this question!)

Daaaammmn, this is tough but good old Jezza (bassist) is currently the only single member so best for the future of all four other relationships I don’t disclose a great deal. Jezza has a pretty neat track record when it comes to Tinder, and has been known to pull some local girls when we pull up in their town. Currently boasting a 100% strike rate down in Tassie!

The Dusk album cover features a picture of a faceless man with a gorgeous beard, but I see in your publicity pics that none of you have beards. What gives?

Well you see before our drummer Joe moved to Melbourne he lived in the mountain ranges, and whilst stalking his Facebook to ensure this new drummer was a legit person I stumbled across a few photos. These photos depicted a wild Joe two weeks after his 18th birthday. Where Joe grew up you aren’t considered a man unless you trek through the bush for two weeks either side of your 18th birthday., and so these photos our dear drummer was sporting one fine beard and that’s basically where the inspiration came from.

You came to NZ last year to tour with Depths, Hand of Mercy and The Inquisition. Tell me what you enjoyed/learnt during that trip.

We loooooove New Zealand! Everyone was just so genuine and kind to us throughout the entire trip it was quite incredible. We made some lifelong friends in The Inquisition so that was great. One thing we did learn though was that our New Zealand friends weren’t all that great with the local geography and with an adventure that ended in Papatoitoi. I feel we Australians have a better idea when it comes to such matters.

Do you prefer playing all ages or R18 shows? 

I really don’t mind! Over ages is fun because everyone can get drunk and have a bit of a time, but then it’s equally fun playing to younger crowds too. It’s all a good time really!

Joe’s dad built his drum kit for him. How did he learn how to do that?

This is the question I have asked myself a million times, but again I think it comes down to the coming of age ritual. Upon Joe’s return he had a fully constructed guitar he had built out of tambark and other fauna, so my tip is that Joe’s dad managed to do something similar but in the form of a drum kit.

You’ve been playing for three years, but have only just recorded your first EP. Do you think this will open many doors for you?

One can only hope! It’s been hard for us to keep things consistently moving given that we have had so many lineup changes but now things have got a bit of a move on and we just want to keep the momentum rolling.

You’re just about to drop your first EP, and have a tour lined up. What else is on the cards for Incentives?

I guess just more of the same! Everything bigger and better would be the goal. Creating memories that we can always look back on is my biggest wish. I understand bands aren’t the be all and end all, so really I just want to do as much as I can during this short little time frame we have. Then when my kids give me shit for wearing cardigans I can whip out some old photos and music and say “your dad had a half decent run back in the day” hahaha.

Which song do you think I should share with readers who aren’t familiar with your music?

Hmmmmm possibly “Dawn”. We’ve had a great response to that track and Jezza has a sing on it too! It’s pretty much the only song on the entire EP with a chorus so perhaps this chorus trend may continue with the new stuff.

Thanks for taking the time to answer these questions. Hopefully I’ll catch you next time you cross the ditch to play in New Zealand again!

Thanks heaps for the interview man! Probably the most fun I’ve had with an interview this entire time (had over 50 of the buggers). Hopefully we can make it out to New Zealand again soon and see you at a show.


 

Incentives links:

Facebook: https://www.facebook.com/IncentivesMelb/

Bandcamp: https://incentivesmelbourne.bandcamp.com/

Tour: https://www.facebook.com/events/1752335758369622/

Soundcloud: https://soundcloud.com/incentives-band 

 

Joseph James