Infinite Ceiling: An interview with Tides of Man

Tides of Man soundcheck dunk!festival 2018
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I befriended Florida-based Tides of Man last year when they played a handful of shows with the band Ranges, who I was on tour with. We fast became friends, and hearing them play unreleased songs every night raised my expectations of upcoming album, Every Nothing.

They gave me the nickname Baggins – a New Zealand/ Lord of the Rings reference – and we shared some great times on the road. It was a ridiculously fun week involving lots of beer, Taco Bell, sleeping in tour vans and listening to great music. I was fortunate enough to see them again half a year later, when they played dunk!festival in Belgium this May.

Their last album, Young and Courageous, stands as one of my favourites. And Every Nothing follows suit as a well-crafted, emotionally charged masterpiece.

I interviewed guitarist Spencer Gill to find out what Tides of Man have been up to in recent years, and to learn a bit more about the new record coming out.

Spencer Tides of Man dunk!festival 2018

Spencer at dunk!festival 2018

Joseph James (Baggins) – Will Not Fade: First up, congrats on the new album. I know you’ve put a lot of time into Every Nothing, so it must feel good to see all that effort coming to fruition.

Let’s go back a bit to start with. Tides of Man started off as an entirely different sounding project. To me, your earlier albums sound like Coheed & Cambria. Then Tilian (vocals) left, and after failing to choose on a new singer, you decided to continue without one. How did your old fans react to Young and Courageous being an instrumental album?

Spencer Gill – Tides of Man: Our old fans were very open to our new sound. We had overwhelming support on our crowdfunding campaign from our existing fanbase and a lot of people were very happy with the transition. Of course there were people who didn’t appreciate the transition, but that’s completely natural in any big change I think.

How does writing instrumental music compare to writing music that features lyrics?

It’s definitely different. You can’t rely on a Verse/Chorus structure, and you have a lot more space to fill than if there were vocals there. I think each part has to be chosen carefully and you have to keep the melody interesting. The feel of a build, or the tone of an individual instrument suddenly becomes very important when it’s not sitting back in the mix underneath vocals. 

Does your music have a message? What inspires the songwriting process?

We like to be subtle with our message. We feel that music (especially instrumental) has a lot to do with the listener’s personal connection to it. We definitely have a certain theme in mind for each album, but we like to leave a little interpretation there for the listener.

Inspiration for us comes from so many different things. Dan could be listening to a new record and really like the tone of some guitar and then we kind of pull from that and write a whole new song. We could be jamming in the practice space, and all of the sudden Alan and Josh just lock into some cool groove out of nowhere. A lot of our songs start off like this, then we quickly record them and rework them until we are completely happy.

I know that a lot of people I’ve talked to discovered Tides of Man through Audiotree. Tell me about the experience of recording an Audiotree session.

That was full-on nerve racking. But the guys at Audiotree made it so smooth, and were very nice to us. They guided us through the whole thing. 

We thought it turned out great, and the recording quality was unreal! We are super thankful to Audiotree for having us on there, and we have definitely noticed that as one of the top ways that people have discovered our new music.

It has been four years since you released your last record. Talk me through what you’ve been doing since then.

Writing, jamming, re-writing, scratching everything all together, fully second guessing all of our ability to write anything again, then re-writing again. In the end, we are finally happy with our new record and proud to put it out. We have put a lot of late nights into this album and we made it a point to never compromise if we didn’t like something. We kept working at it until we were happy.

Dan Tides of Man dunk!festival 2018

Dan at dunk!festival 2018

This is your fourth studio album. How have things changed since you released your first EP ten years ago?

Ha! We are better musicians for sure. We know our way around a studio now, and can really focus on getting great tones and making the studio make the song even better. Before, we were scared of the metronome, and had no idea what we were doing as far as amp selection, drum selection, production, etc. But I think every band goes through that transition of getting familiar with the studio and then using it to their advantage.

Are emo fringes ever going to come back in fashion?

Did they ever go out of fashion? Is this because we used to rock that haircut? 

Haha maybe…

You used crowd funding when recording Young and Courageous. Why didn’t you opt to do that again for Every Nothing?

The last crowd funding campaign was awesome, but we always intended to make the band support itself as a business. Putting out Young and Courageous on our own without a label allowed us to make that a reality. We wanted to make the band do Every Nothing on it’s own dime. It forced us to make decisions with our money and be responsible not only as musicians, but as a business.

Alan Tides of Man dunk!festival 2018

Alan at dunk!festival 2018

On a related note, how does recording and releasing an album independently compare to when you were signed to Rise Records?

There’s a lot more work involved to be short. When you are on a label, you get booked in a studio and show up to record your album. They take care of marketing, packaging, design, distribution, etc. That’s all on us as an independent band. 

We are involved in every aspect of the release of the record, right down to arguing about what exactly should be on the center label of the vinyl.

A Thousand Arms are awesome, and I love those guys so much, but is there an easier option for ordering the record for those of us who don’t live in America?

We are in the works of setting up European distribution of vinyl.

Every Nothing sounds a lot heavier than Young and Courageous. Was this a conscious decision you made when songwriting?

I think it was a natural progression that just sort of happened. The quiet parts are quieter, and the loud parts are louder. That’s how we felt at the time of writing these particular songs.

Tides Of Man setlist from their US tour last year

Tides Of Man setlist from their US tour last year

I notice that the song names written on your setlist from tour last year differ from the new album track names. Have you renamed them, or are there some b-sides in the works?

We have horrible working titles for our tracks, and we have them for so long that we tend to remember them as that title rather than the actual title on the record. A B-Side or two may be in the works, but no promises.

Joel Frieders discovered that on your last album, the track “Hold Still” starts like the Yo Gabba Gabba song by the same name. Have you hidden any Easter eggs like that on the new record?

Ha! That was an absolute coincidence. Someone told me the other day that it apparently has a train noise in a section of it too. 

As far as we know, there are no similarities to any children’s tv shows in our music, but we would be happy to find out after the fact that we accidentally ripped off Barney.

Many of you work as studio musicians. Which has more pressure: playing for other musicians, or working on your own project?

Playing for other musicians is definitely a job in and of itself, and we always want to deliver exactly what each client wants, so there is pressure for sure.

But writing your own music has so much more. It’s hard to explain why, but it feels like you are laying your identity on the line with each note, and if you mess it up you’re done for.

I know that the artwork was one of last things that you sorted out for this album. Would you care to talk about the album cover and general art direction? I know that Dan does design, and Alan is a photographer, so the visuals must be important to you.

Design is definitely important to us. As an instrumental band, all we have to communicate the feel of the record is the design and song titles, so we spend a lot of time throwing ideas back and forth on the direction and how it fits the album. On this one we wanted something that showed mundane everyday existence against pure nothingness. The album is really about the interplay between our fixation on mundane, meaningless things and the bigger picture that we forget to look at.

I should also add that the video for “Static Hymn” is great.

Thanks! Stephen Mlinarcik brought that idea to life! He was awesome to work with.

Tides of Man is based in Tampa, Florida, but Josh lives in London, and last I heard, Alan lives in LA. How do you make it work with such big distances between you all?

Luckily we all enjoy traveling. We always have a home base in Tampa, and Josh and Alan never hesitate to fly in and stay for a while. We’ve never had a problem with the distance.

I’ve seen you play at dunk!festival in both the US and Belgium and you have Arctangent coming up. Does your approach change between playing festivals and standard shows?

We try to simply play our music well and feel it with the crowd. I don’t think that should be any different between festivals and standard shows. 

You’ve played with some great bands during your career. I can imagine that the Karnivool tour would have been incredible. And you were all buzzing when I last saw you in Europe after playing with EF and aswekeepsearching. Which bands have you most enjoy playing with, and who do you still to aspire to share a stage with?

Karnivool was definitely a treat to watch every night. We also really enjoyed playing with Rare Futures (formerly Happy Body, Slow Brain). Of course, touring with Covet and Vasudeva was awesome! Those guys are super talented. Ranges was also awesome to tour with. There’s too many good times to pick and choose which tour we were most grateful for. We have made amazing friends from all over the world because we are able to go out and tour. It’s just been amazing from the get go.

In the future we’d love to tour with This Will Destroy You, Russian Circles, Mogwai, Circa Survive, Thrice, and many more.

Vinny with Tides of Man dunk!festival 2018

Vinny Capitani playing with Tides of Man at dunk!festival 2018

We’ve all spent our fair share of time sleeping in vans. Do your wives/girlfriends get jealous that you sleep beside Vinny Capitani on tour?

They were absolutely jealous until he removed his beautiful locks. Now, not so much.

What are some of the most important lessons you’ve learnt about touring as a band?

If you don’t constantly try to improve as a band, and tackle something bigger you end up nagging at each other over stupid shit. We’ve learned this from personal experience. You always have to be pushing yourselves towards being better as a band, and you can never get stuck on the losses.

You’ve all eaten a lot of taco bell in your time, having been sponsored by Taco Bell through the Feed The Beat program. What are your top tips for making the most of the Taco Bell menu? I’m happy to hear vegan options too, seeing as a few of you are vegan.

  1. Order anything grilled “extra crispy”
  2. Add a lot of Fire Sauce
  3. Get that creamy jalapeño sauce too
  4. If you’re vegan, get on that Fresco menu. It’s great.

    Exploring the Gates Of Hell in Clifton, NJ

    A post shared by Dan Miller (@tidesofdan) on

My favourite memory of the times spent with Tides of Man was when we went on an adventure in New Jersey, exploring the “Gates of Hell” during the time between load in and sound check. What are some other memorable adventures that you’ve been on as a band?

So many amazing memories as a band! Driving all night to see Moab, Utah at sunrise. A day off at Cedar Point Park back in 2010 when we rode coasters all day with the entire tour party. Sky Diving at sunset on the coast of California. No A/C in the van for 5 days in Texas. Holding up signs at shows to find a place to stay for the night. Seeing Europe and the UK for the first time. Taking shots of “Red Death” in Tours, France. These are just a few.

Every Nothing is due out in August. What upcoming plans do you have for the band?

We are playing Fete De Lion festival August 3rd, and then ArcTanGent festival August 18th, and we plan to do a Europe/UK run in-between the two. Later in the fall we will be doing a US run.

Thank you so much for taking the time to answer these questions. I’m enjoying the new record and I’m sure that you are excited to share it with the rest of the world shortly. Is there anything else that you would like to mention?

Yes, thank you Baggins. Only other thing to mention is that you can pre-order our album now over at A Thousand Arms website. Check it out.

Tides of Man pre-order options at A Thousand Arms: https://athousandarms.store/collections/tidesofman

Josh Tides of Man dunk!festival 2018

Josh at dunk!festival 2018

Tides of Man links:

Facebook: https://www.facebook.com/tidesofman/
Bandcamp: https://tidesofman.bandcamp.com/
Twitter: https://twitter.com/tidesofman
Instagram: https://www.instagram.com/tidesofman/
Youtube: https://www.youtube.com/channel/UCGu5lp7dVJNbsYCEjN2Mk_A

All photos by Joseph James (aka Baggins) except a few embedded from Dan’s instagram.

Ranges EU Tour 18: Lyon and Freiburg

Ranges Hard Rock CAfe Lyon
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Ranges Hard Rock CAfe LyonDay 3
Tuesday 8 May
Hard Rock Cafe, Lyon, France
w/ Cloud Shelter, Lodz

Everyone was in a great mood. Both nights of tour so far had been great, with good attendance, friendly people, great food and new experiences in foriegn cities. It was a welcome change from America, where people make less effort to support the music scene.

Tiffany and her grandmother provided a breakfast of toast, fruit and homemade honey and jam. The sun was shining with intense heat and we drank in the peaceful noises of birds chirping as we sat in the garden eating.

Ranges Hard Rock Cafe Lyon

It felt like a long drive to Lyon. I didn’t to get to see as much of Lyon as I’d seen of Paris, but Zeidler and I went off to find something to eat while the band soundchecked. We found a neat plaza behind the town hall which featured a stunning water fountain with steam that arose from the noses of the horse statues. We had some difficulty ordering, but eventually managed to order some crepes and had a nice meal before heading back to the venue.

The Hard Rock Cafe in Lyon stands among one of my favourite venues I’ve ever been to. Anyone familiar with the chain will know what to expect – a restaurant/bar, merchandise shop, and plenty of music memorabilia to look at on the walls. This one was relatively new (two years old, I believe), sat next to the Rhone river.

Most dedicated venues feel dingy. I’m sure you know what I mean – gross toilets, graffiti and stickers, sticky floors, dark spaces. Hard Rock was none of these things. It was bright, clean, had good access, they provided a nice meal and a good green room. And as an actual venue it was awesome. It sounded good, and the lighting was fantastic.

Cloud Shelter Hard Rock Cafe Lyon

Cloud Shelter

First up was Cloud Shelter, featuring promoter Jean Sebastian on drums. They kicked the night off with a solid set of post-rock, crescendo rich and dynamic. The place was fairly packed already at that stage, showing that either Jean Sebastian is a great promoter, Lyon has a supportive music scene, or both.

Lodz Hard Rock Cafe Lyon

Lodz

Lodz’s set began with an impact, launching straight into their hard-fitting energetic music. It was gloomy, atmospheric and heavy, touching on Deftones territory. Daylight had faded by this point, and the orange streetlamps shining in from outside added to the visuals onstage.

Lodz Hard Rock Cafe Lyon

Lodz

The lights were simply great, adding a whole new dimension to the experience. Cloud Shelter had Edison bulbs on light stands, reminding me of Ranges’ set up on their American tour. Usually Ranges play with their own lighting rig, synced up to the backing track. But it wasn’t feasible bringing so much gear overseas, with airline fees being as expensive as they are. I’m beginning to have second thoughts about that lighting rig. I certainly helped Ranges to stand out last year, but these European shows have been even better without them. Plus they’re easier to photograph without their own rig.

I’m wondering if the lights are always this good at Hard Rock Lyon, because there were so many photographers in attendance. I sparked up a conversation with one couple who lived about an hour from Lyon. They were simply delightful to chat to. Come to think of it, everyone was friendly and happy to be there. Lyon gives off great vibes.

I’ve seen Ranges play close to 20 times by this point. I’m not even sure if I’ve seen Declaration AD play that many times – and I used to live with them! And I’m convinced that this is the best Ranges show I’ve seen. All the elements were there – receptive audience, good numbers, good audio mix, nice venue, great lighting, and the band played well. The crowd were lapping it up. At the end of the hour-long set the band went backstage and the audience began cheering and chanting for an encore. This placed the band in an awkward situation. Usually they just pay their piece and that’s it. This was a first – having the crowd demanding an encore. They didn’t even have any other songs ready to play. But there’s no way they could get away without a few more songs, so they returned to the stage played another two songs.

Ranges Hard Rock Cafe Lyon

Jerome from Cloud Shelter hosted us in his apartment. Mark, Wilson and I grabbed some pizzas from a fantastic little shop nearby, and we spent most of the night talking rubbish at Jerome’s. They had French alcohol called Pontelier Anis (made in a neighbouring township) that we drank. It tasted similar to sambuca, and changed colour from transparent to cloudy white when you add water.

CJ and Wilson slept in the van, fearful that some local goon may try to break in a steal the musical gear inside. Zeidler was segregated to the lounge as penance for his bear imitations the night before. Mark, Joey and I cuddled up in a cozy space in the next room, where we slept for about for about three hours.

Ranges Hard Rock Cafe Lyon

Day 4
Wednesday 9 May
Slow Club, Frieberg, Germany
w/ Nonsun

Touring takes its toll on one’s body. Long days spent sediantry in a van, unhealthy diets that consist mostly of gas station food, and lack of sleep all begin to wear you down. We had a blast in Lyon, but only a few hours sleep before the drive to Frieberg.

Slow Club was a cool venue. Almost polar opposite from the modern Hard Rock Cafe, it was a more traditional style club. They cool thing about it is that it is a community resource, run and operated by volunteers. There was something reassuringly familiar about it. And the best thing about it is that there was a studio apartment upstairs, with bunk beds that remind me of school camps and a small kitchen. Staying on site is amazing – taking away the process of packing up and driving to a place to sleep at the end of the night.

In other ways it was vastly different from other places I’d been. People smoked inside the venue. This was outlawed in New Zealand well before I was old enough to go to bars, so the only times I’ve ever experienced people smoking inside is at casinos in Las Vegas. There was even an ashtray fixed to the wall between the urinals in the bathroom. The staircase and hallway featured artistic photos that reminded me of the band Pussy Riot – controversial images of topless women with ski masks.

Ranges Hard Rock Cafe Lyon

After sound check Joey and I went to check out a local attraction with a friend of Jared’s. Frieburg Munster cathedral, like most cathedrals, is a gorgeous building with large spires, stained glass windows, ornate sculptures and an overall awe-inspiring feel. My favourite feature was the many gargoyles – all different from each other. They had a mass on when we went inside so we chose not to stay long, but it’s always worthwhile seeing even the smallest sample of a new city.

Ukraine-based Nonsun recently signed to dunk!records. They play music so heavy and slow it’s oppressive. Zeidler described them as making Glacier look cheerful. I don’t like that style of music so I stayed upstairs and rested while they played.

Ranges Hard Rock Cafe Lyon

Apparently that rest was inadequate. I helped Mark set up his drums for the Ranges set, and then sat down on a couch next to the bar to watch the set. I managed so catch maybe half, but true to form, I dozed off half way through.

There were only six bunks upstairs so I pulled out a spare mattress and slept on the floor. The next morning I was told that everyone was kept up by loud German singing all night. I was so exhausted that I never noticed a thing.

On to Zottegem, and dunk!festival!

Ranges Hard Rock Cafe Lyon

Photos and words by Joseph James

Ranges EU Tour 18: Ghent and Paris

Ranges L'International Paris
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Day 1
Sunday 6 May
Kinky Star, Ghent, Belgium
w/ Astodan

At 17 hours and 40 minutes, the flight from Auckland to Doha is the longest in the world. Not that I knew this when I booked my flights. I had asked my friend who is a travel agent to help me sort travel to Brussels, and this flight was what she came up with.

I can tell you first hand that spending close to 18 hours on a plane does not do wonders for one’s health. I’ll even go so far as to say it wouldn’t be ideal even in first class. And when you consider that the flight to Doha only constitutes half of my trip to Brussels, you may soon come to the conclusion that I felt slightly worse for wear once I’d arrived at my destination.

Not that I needed to dwell on this. Because once I’d landed and cleared customs I was reunited with my close friends in the band Ranges. Tiredness be gone! Excitement replaced feelings of fatigue. It was like we had seen each other just yesterday.

Ranges Luggage

Regular Will Not Fade readers will know that I joined Ranges on tour last year in America, travelling from their hometown of Bozeman, Montana all the way to the East Coast, up to Vermont for the inaugural dunk!USA festival, and then back to Montana. It was one of the best times of my life, and I grew extremely attached to the guys I was travelling with.

When it came time for me to return to New Zealand they invited me on their next tour – this time in Europe – which would include dunk!festival in Belgium. How could I turn down an opportunity like that?

To sweeten the deal, our friends in Tides of Man will also be playing dunk!, as well as a few other people I’ve met along the way, such as Phil from Caspian, Au Revoir and Rosetta. And I’ll also have to opportunity to finally meet many Facebook friends who are part of the global post-rock community.

Reuniting the lads from Montana was emotional, to say the least. We had spent two weeks stuck in a van together in October, meaning that we all knew each other’s idiosyncrasies and mannerisms. David Zeidler from Arctic Drones and Young Epoch will join us in a few days, and I wonder if he will pick up on the absurd in-jokes that dominate life in the van.

Mark standing outside Kinky Star

Mark standing outside Kinky Star

First stop was the gear rental place that is providing the van and backline. We got good gear from them. I don’t know much about amps and speakers, but the drums are a sweet C & C kit. And the van is amazing. Roomy enough for all the gear, plenty of seats, and a loft up top. Having this much space is such a luxury.

Next we drove to the venue, The Kinky Star in Ghent. A neat little club with little regards to safe building codes. The walls around the stage were covered with black and white photos of gigs at the venue, making for a cool wallpaper effect. There were the stairs from hell heading up to the green room: super steep, small steps with no handrail. I’m honestly surprised that no-one fell and died.

I helped myself to a handful of beers from the drinks fridge in the green room and then went off on a wee walk to explore Ghent. I’ve never been to Europe, so this was very new to me. A quaint, idyllic town, Ghent boasts beautiful cobblestone roads lined with pretty cafes and bars. Impressive churches tower above canals, and an imposing castle perches rises up, half encased by a moat. I was thoroughly enjoying my wandering, although the beers inhibited my sense of direction, and I got lost in no time. Not to despair, I’d had the foresight to download an offline map of the region to my phone before I left NZ, so managed to find my way back to the venue without too much strife.

Astrodan Kinky Star Ghent

Astrodan

Astodan opened the show, with a blend of metal and post-rock that trod the balance of heavy and melodic nicely. I still don’t understand how they managed to fit the whole band on such a tiny stage, but it was a great set.

The small club filled up quickly, unexpected for a Sunday night. Everyone appeared enthusiastic, and one punter shouted out “PERFECTOOOO!” after each song Ranges played. Wout from dunk!records attended as well.

Ranges Kinky Star Ghent

Alas, I was losing my fight against jet lag. As excited as I was to catch a Ranges set, I couldn’t stay awake. I caught myself nodding off a few times while standing up, giving me that horrific scare you get from the sense of falling as you sleep. I decided to head upstairs for a lie down, lest I collapse from exhaustion. The guys gave me a good ribbing afterwards for that. I’d been fairly drunk earlier on when I got lost in Ghent, so I guess it looked like I was just sleeping that off.

Ranges played for an hour, which is a longer set than I’d seen them play for most of the last tour. I could hear them as I rested from above, and I noticed that they’d added some more lively songs like “Babylon” to their set.

I felt more alive After a 40 minute snooze. Joey and I headed across the road for some terrible fried substances that they tried to pass off as food. I had ordered curry sauce with my fries, and it came with a sickly sweet sauce, almost a syrup. The chicken burger featured unidentifiable “meat”. One of the issues with not speaking the language is that you just have to hope for the best when you order food. As unappetizing as it was, I hadn’t eaten anything other than airline meals and snacks for a few days, so I wolfed it down.

That night a local promoter named Lut hosted us. She had a lovely place with plenty of beds. She treated us to walnut salami and cheeses before bed. Her shower had two shower heads. I don’t know why, but I thought it was very exciting. Wilson had brought some Man Mountain beard oil for me from America, so I gladly tried it out after my shower.

Outside Lut's house in Ghent

Outside Lut’s house in Ghent. L-R: Wilson, Joey, CJ, Mark, Jared, Joseph (me)

Day 2
Monday 7 May
L’International, Paris, France
w/ Nord, Nordkapp

Ranges L'International Paris

I saw a different side to CJ today. He’s always in control: driving, running things, planning the itinerary, keeping order. But the crazy Parisian traffic caught him off guard. It doesn’t help that none of us knew what the road signs meant, or that the SatNav started to malfunction, or that the other drivers on the road cut us off without warning or a care in the world, or that a zillion cyclists clearly have a death wish and decide to ride as close to the van as possible.
But the final straw was news from David Zeidler.

Some of you may know of Zeidler as a writer from Arctic Drones. Apparently he’d figured that organising a few small shows in New England had earned him the right to write the Ranges tour blog – the same one that I’d been promised exclusive coverage of. Typical American, deciding to muscle his way in and take over my established position. Anyway, the guy didn’t even attend the first show in Belgium, and decided to join us in Paris. He hadn’t even been on the city for ten minutes before managing to get pick pocketed.

So picture this: you’re driving through a foreign city. The road rules seem unclear – or at least nobody else seems to stick to them. Suicidal Parisians on bikes keep pulling in front of you as you navigate. You’re entering a busy roundabout without lanes and you get a message from Zeidler: “Help, I’ve been pickpocket and need to get picked up”. As you can imagine, it was all a bit much for CJ.

Joey jumped to the rescue, ordering an Uber to pick up Zeidler and get him to the venue. We found the street that the venue was on, parked the van, and had some time out. Thankfully for Zeidler, he was able to ask his parents to send him money via wire transfer, so wasn’t completely without funds.

L'International Paris

Mark watching Nord at L’International Paris

Our promoter was Tiffany, a lovely girl in red overalls who runs post-rock events in Paris. She, and Guillame the sound guy made the night a total breeze.

L’International had a bar at ground level, with an underground room for the music. There was a perspex window between the stairs and the stage, giving you a good “side of stage” view from the stairwell.

After load in I set off for wander around Paris. I didn’t have any set destination, but simply wanted to experience some of the city. Narrow alleyways opened into grand courtyards. Countless apartments lined the city blocks, with balconies that feature ornate cast iron railing. Impressive churches, cathedrals and other such buildings stood out every block or so. The most impressive sight I found was Notre Dame.

Earlier that day Mark had mentioned wanting to see some art from notable Parisian street artist Space Invader, so I took a few photos of some I saw on my walk.

When I got back to the venue I showed Mark. “Where did you see this?” he asked, gripping me tightly, “Is it far?”

Nord L'International Paris

Nord

So we set off on another venture onto the streets of Paris. We were surprised to find a few Invader pieces within a few blocks of the venue, as well as a handful of imitations, and an Andre The Giant paste-up by Shepard Fairey, who featured along with Space Invader in the beginning of the Banksy documentary Exit Through The Giftshop

Mark was grinning madly, happy that’d he’d achieved his goal of finding some Invader art.

Nord L'International Paris

Nord

We arrived back at L’International in time for the second act Nord. Mathy riffs gave an upbeat feel to the music, and I loved the singing – not something you come across much in post-rock circles.

The turn out for this show was great. We thought that Ghent was good, and Paris was even better. Ranges had a great set, and everyone was on a big high following on from it. Tiffany told us that many attendees hadn’t even heard of Ranges, but still showed up anyway.

We were stoked. It was a good audience, good sound mix, and fun time. The guys in Ranges were pleasantly surprised to see some beers from their breweries available. and everyone was in a good mood.

Tiffany took us back to her grandparent’s house to stay, squished into two rooms on the upper floor like sardines. Zeidler sounds like a bear when he snores.

Ranges L'International Paris

All words and photos by Joseph James