Album Review: Nihiling – Batteri

Nihiling Batteri cover
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Are you the type of person who believes in the album as a whole? Do you listen to music on shuffle and make playlists from the singles, or listen to entire albums as the artists intended it?

The reason I ask is because for the past few weeks I’ve been listening to Nihiling’s new album Batteri out of sequence. When I downloaded the album the tracks arranged in alphabetical order, and not according to designated track listing, and I feel that somehow I’ve ruined the listening experience.

Not that the experience is bad by any means. But I’ve had to reflect on whether listening to the correct track ordering enhances the album listening experience, or if the tracks need be good enough to stand on their own.


I was taken by “Cellardoor”, the first track I listened to. For first impressions, it certainly had me intrigued. It begins with clicking noises (someone playing the spoons?), and drawn out cello notes. As this progresses the music grows more complex, with multiple poly rhythms that don’t fit work in well together. Despite this, it works. I found myself thinking back to Biffy Clyro’s “Living Is A Problem…”. seeing as both tracks are odd, but undeniably technically proficient.

The real first track of the album, “Ottersong” commences with a minimalist beat and singing that reminds me of Bedouin Soundclash’s Jay Malinowski. Slowly other elements come into the foray – toms and tambourines, more singers, weird glitches. Everyone has their chance to shine, with no shortage of talent fond.The guitars are especially great later in the piece , transitioning from effect laden underwater sounds to searing solos.

But like I said, there is no shortage of talent here. As biased as I am, I find the drums outstanding throughout the album – Rhythmically hypnotizing and dynamically diverse. Not to mention the singing. I’m a sucker for good vocal harmonies and Batteri offers this in spades.


But if you want my recommendation for the first track to start on, try “Power Rangers”. THIS. TRACK. RULES. Honestly, even if my review isn’t going to sell you on the album, at least take the time to listen to this one song. I’ve embedded it in the review here for convenience. The song has two  sublime elements: groove and harmonies. Just give it a listen. Please.


That’s another thing that threw me – the singing is incredible. .Not only was I listening to this album with the songs in the wrong order, but I went in with incorrect assumptions. The press release called it post-rock, but the best songs don’t fit within this description.

I’d class Batteri as eclectic math-rock. As a general rule, the post-rock genre lacks singing. Whereas Nihiling give us layered vocal harmonies to die for. Odd indie Glitches and effects. You can call it post-rock if you must, because I can’t think of any accurate genre classification.

Upon listening to the band’s earlier releases I can understand the post-rock label better. But the band have evolved and embarked into new territory with Batteri. The first half of the album offers experimental prog-rock, and the latter half gives us the post-rock that was advertised.

“Rope” lurks into trip-hop territory. I’ll give the band kudos for atmospherics. Despite the simplicity of it, there is an off-vibe permeating the track, slowly becoming more unhinged as it progresses. The messiness worsens when a chaotic programmed synth à la The Who’s “Baba O’Riley” comes into play towards the end of the song.

“Idiot” goes heavier, with doomy sludge metal that loses intensity half way through, only to be replaced by a snare drum tattoo and less saturated guitar tones.

I highly recommend that you give Batteri a listen. If you do, you’ll hear brilliant musicianship, interesting experimental sounds, great groove, mathy dynamics and vocal harmonies to die for. The first half of the album stands stronger than the reserved post-rock of the second half, but don’t let that stop you checking out this stunning release.

 


Nihiling’s fourth album Batteri came out on Kapitän Platte on May 5, 2017.

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Joseph James

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